ATTENTION: Read the following posts in this thread before proceeding to use this method for cleaning a potentiometer. I will no longer be using it.
While my method is very common, I don't want to start a war about what method is most ideal, so this is the way I do it.
The electronics in my demo setup, the rig I use to show off speakers I've built, consists of a source (Turntable, CD Player, Echo Dot, or Portable Hi-Rez Player) and a good Parasound P3 analog stereo preamp. The preamp feeds any number of amplifiers connected to speakers to demo.
My current setup includes three Parasound HCA-Series amps actively driving my Rocketman speakers. To get the lowest noise and cleanest sound, I turned down the gain of the amplifiers so that they are about 12dB below the full gain, or about halfway down from maximum on the input controls. However, these amps are old and the tweeter amp was cutting out or, worse, getting fuzzy sounding. I could simply play with the gain control and make it work again, but then I was no longer calibrated.
So, I decided to clean all the pots on all of the amps.
After turning them off, removing the power cables and placing each one where it would be easy to work on with plenty of lighting, I took the top cover off and located the input gain potentiometers on the rear panel.
The electrical leads which come off the main body of the pot expose an opening to the inside of the pot. See the opening under the label "1" in the photo of a pot below:
I started by using some compressed air to blow out any dust or loose lint which may have collected inside the pot. I directed the straw from the can right
at the top edge of that opening I pointed out and pressed the nozzle for a couple of very short bursts.
Next I took a can of aerosol Caig DeoxIT D5 as seen below and similarly directed the end of the straw to the opening in the pot and pressed the nozzle for a single, very quick burst:
I then turned the control knob for the pot back and forth about 20 times, fairly aggressively. I then rotated the control to the opposite limit from the first spray and sprayed another fast burst into the pot. I repeated the turning of the knob about 50 times, very aggressively and after a certain point the resistance loosened and the pot turned fairly easily.
After I did that for one pot, I then repeated the process on the second input gain control pot.
Once I was done cleaning the pots, I then use a product called Caig PreservIT as a conditioner for the electrical surface of the pots. I don't believe they still make that specific product, but they do have a preservation & lubrication product which replaced PreservIT.
Just as with cleaning, I turned the knob fully in one direction, sprayed a fast spurt into the pot, then turned the knob back and forth dozens of times. Then I turned the control to the other extreme and repeated.
After putting the cover back on the amp, I was able to extremely accurately calibrate the gain of all the amps with ease and the issues I was having with fuzzy signals and cutouts was all gone.
Back in my recording studio days this was a regular cleaning process performed on all the gear in the studio on a scheduled basis, usually twice a year. Since I didn't allow smoking in the studio that was enough. If you smoke around electronics, the charged ions in the smoke are attracted to the conducting surfaces of the gear and build up and block the signal over time, so cleaning needs to be performed more often.
While my method is very common, I don't want to start a war about what method is most ideal, so this is the way I do it.
The electronics in my demo setup, the rig I use to show off speakers I've built, consists of a source (Turntable, CD Player, Echo Dot, or Portable Hi-Rez Player) and a good Parasound P3 analog stereo preamp. The preamp feeds any number of amplifiers connected to speakers to demo.
My current setup includes three Parasound HCA-Series amps actively driving my Rocketman speakers. To get the lowest noise and cleanest sound, I turned down the gain of the amplifiers so that they are about 12dB below the full gain, or about halfway down from maximum on the input controls. However, these amps are old and the tweeter amp was cutting out or, worse, getting fuzzy sounding. I could simply play with the gain control and make it work again, but then I was no longer calibrated.
So, I decided to clean all the pots on all of the amps.
After turning them off, removing the power cables and placing each one where it would be easy to work on with plenty of lighting, I took the top cover off and located the input gain potentiometers on the rear panel.
The electrical leads which come off the main body of the pot expose an opening to the inside of the pot. See the opening under the label "1" in the photo of a pot below:
I started by using some compressed air to blow out any dust or loose lint which may have collected inside the pot. I directed the straw from the can right
at the top edge of that opening I pointed out and pressed the nozzle for a couple of very short bursts.
Next I took a can of aerosol Caig DeoxIT D5 as seen below and similarly directed the end of the straw to the opening in the pot and pressed the nozzle for a single, very quick burst:
I then turned the control knob for the pot back and forth about 20 times, fairly aggressively. I then rotated the control to the opposite limit from the first spray and sprayed another fast burst into the pot. I repeated the turning of the knob about 50 times, very aggressively and after a certain point the resistance loosened and the pot turned fairly easily.
After I did that for one pot, I then repeated the process on the second input gain control pot.
Once I was done cleaning the pots, I then use a product called Caig PreservIT as a conditioner for the electrical surface of the pots. I don't believe they still make that specific product, but they do have a preservation & lubrication product which replaced PreservIT.
Just as with cleaning, I turned the knob fully in one direction, sprayed a fast spurt into the pot, then turned the knob back and forth dozens of times. Then I turned the control to the other extreme and repeated.
After putting the cover back on the amp, I was able to extremely accurately calibrate the gain of all the amps with ease and the issues I was having with fuzzy signals and cutouts was all gone.
Back in my recording studio days this was a regular cleaning process performed on all the gear in the studio on a scheduled basis, usually twice a year. Since I didn't allow smoking in the studio that was enough. If you smoke around electronics, the charged ions in the smoke are attracted to the conducting surfaces of the gear and build up and block the signal over time, so cleaning needs to be performed more often.
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