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What Are You Listening To?

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Hits -- CD

Gary Morris

1987 Warner Bros. Records

A Voice Too Good for Just Country
, April 30, 2000
By Michael Butts (Berkeley Springs, WV USA) - See all my reviews
(VINE VOICE) (TOP 100 REVIEWER) (REAL NAME)
This review is from: Hits (Audio CD)

Gary Morris has one of, if not, THE best male voices in the music industry. Every song on this album shows just how powerful and emotional Gary can be. And it just taps the surface. What other "country" singer could ever do "La Boheme" or "Les Miserables?" John Berry is close, but not entirely in the same league as Mr. Morris. His versions of "Finishing Touches," "Wind Beneath My Wings", "The Love You Found in Me," and "100% Chance of Rain" are chill-inducing. He manages a little twang every now and then, to appease diehard country fans, but Gary is just too good to be called a "country" singer. The man can sing anything! This collection of hits should whet your appetite for more. IF you really appreciate an incredible voice, singing whatever they want, and doing it ALL so magnificently.
Track Listing

1. That's the Way It Is
2. Velvet Chains
3. Headed For a Heartache
4. One Hundred Percent Chance of Rain
5. Baby Bye Bye
6. Finishing Touches
7. I'll Never Stop Loving You
8. Love She Found in Me, The
9. Wind Beneath My Wings, The
10. Leave Me Lonely
11. Lasso the Moon
12. Your Little Hand (Aria From la Boheme)
 
My last one for the evening....


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Follow Me Down -- CD

Sarah Jarosz

2011 Sugarhill Records

A Beautiful Album, May 18, 2011
By James Johnson (Wasco, Ca. USA) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Follow Me Down (Audio CD)

FOLLOW ME DOWN is a beautiful album. I loved every cut. I'm a basic roots guy and normally indie rock and young woman singer-songwriter fare make me think about organizing my sock drawer, but Jarosz's soulful singing, fluid musicality and surprising twists make everything interesting. This CD is going to be riding in my pickup for a long time.

SONG UP IN HER HEAD was one of my favorite albums of 2009 but I think FOLLOW ME DOWN represents growth across the board. Her music has become more sophisticated, more expansive and richer without losing that mystic, bluesy, old-timey, "mountain soul" sound that makes Jarosz so special. She's changed the bathwater but the baby's still there.

FOLLOW ME DOWN is the third wonderful "roots +" album that I've purchased recently, joining Crooked Still's SOME STRANGE COUNTRY and Abigail Washburn's CITY OF REFUGE. These are exciting times for roots based acoustic music.
Track Listing

1. Run Away
2. Come Around
3. Annabelle Lee
4. Ring Them Bells
5. My Muse
6. Floating in the Balance
7. Old Smitty
8. Tourist, The
9. Here Nor There
10. Gypsy
11. Peace
 
although covered a million times,i like this one also[youtube]http://www.youtube.com/watch?v=lAZGnexMU2o[/youtube]











]
 
Today's work truck music...


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Moondance -- CD

Van Morrison

1970/1990 Warner Bros. Records

Amazon.com essential recording

Van Morrison went a long way towards defining his wild Irish heart with his first two classic albums: the brooding, introspective Astral Weeks (1968), and the expansive, swinging Moondance. If the first was the work of a poet, its sequel was the statement of a musician and bandleader. Moondance is that rare rock album where the band has buffed the arrangements to perfection, and where the sax solos instead of the guitar. The band puts out a jazzy shuffle on "Moondance" and plays it soulful on "These Dreams of You." The album includes both Morrison's most romantic ballad ("Crazy Love") and his most haunting ("Into the Mystic"). "And It Stoned Me" rolled off Morrison's tongue like a favorite fable, while "Caravan" told a tale full of emotional intrigue. Moondance stood out in the rock world of 1970 like a grownup in a kiddie matinee. --John Milward

Side one

"And It Stoned Me" – 4:30
"Moondance" – 4:35
"Crazy Love" – 2:34
"Caravan" – 4:57
"Into the Mystic" – 3:25

Side two

"Come Running" – 2:30
"These Dreams of You" – 3:50
"Brand New Day" – 5:09
"Everyone" – 3:31
"Glad Tidings" – 3:13
 
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Rory Block: Confessions of a Blues Singer
Personnel: Rory Block (vocals, acoustic guitar); Jordan Block Valdina (vocals, piano); Mike Demicco (electric guitar); Bonnie Raitt (slide guitar); Scott Petito (bass); Jerry Marotta (drums).
Tracks ~
1. If I Had Possession Over Judgement Day
2. Ramblin' on My Mind
3. Kassie Jones
4. I Am in the Heavenly Way
5. Statesboro Blues
6. Long Way from Home
7. Bo Weavil Blues
8. I'll Go with Him
9. Titanic (When That Great Ship Went Down)
10. Silver Slide Moan
11. Mother Marian
12. Life Song.
 
Absolutely the BEST Sounding 5" Shinny plastic disc I own..... :music-rockout:


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Dark Side of The Moon -- 24k Gold CD

Pink Floyd

1973/1990 Mobile Fidelity Ultradisc II (UDCD 517)

The Dark Side of the Moon - MFSL Gold Version
,
April 4, 2007
By Bret A. Dagostino "BD"
This review is from: Dark Side of the Moon (Audio CD)

This recording speaks for itself in terms of production quality; this is a long-standing reference recording. The MFSL Gold CD version of this CD is EXCELLENT. I have been a part of the ultra high-end audio industry for over 30 years and only listen to reference quality systems; this transfer is incredibly well done. There are no gain (volume issues) or any lack of resolution in any area. I don't think the performance advantages over the standard and SACD versions are subtle. This is well worth the investment, and becoming rare. Buy it while its available ~

Side one

No. Title Writer(s) Lead vocals Length
1. "Speak to Me" Mason Instrumental 1:30
2. "Breathe" Waters, Gilmour, Wright Gilmour 2:43
3. "On the Run" Gilmour, Waters Instrumental 3:36
4. "Time" (containing "Breathe (Reprise)") Mason, Waters, Wright, Gilmour Gilmour, Wright 7:01
5. "The Great Gig in the Sky" Wright, Clare Torry[nb 12] Clare Torry 4:36

Side two

No. Title Writer(s) Lead vocals Length
1. "Money" Waters Gilmour 6:22
2. "Us and Them" Waters, Wright Gilmour, Wright 7:46
3. "Any Colour You Like" Gilmour, Mason, Wright Instrumental 3:25
4. "Brain Damage" Waters Waters 3:48
5. "Eclipse" Waters Waters 2:03
 
............................... :bow-blue:

:text-bravo:


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Journey To Love -- CD

Stanley Clarke

1975/2008 Epic Records

All Good, December 8, 2004
By AustinTeddy "Teddy" (Austin, TX United States) - See all my reviews
This review is from: Journey to Love (Audio CD)

Not one bad cut. The great thing about this album is you can take each of the musicians singly and explore what they are doing. Listen to Jeff Beck...not on "Hello Jeff" (actually DO listen to that too!) but on "Journey to Love". His haunting solo fits perfectly with the mood of the song...and gives it the Beck Edge. George Duke glides throughout. David Sanctious (sp?) is a monster...not just on keyboard but guitar as well. From Stanley's original "Stanley Clarke" through this album and then to "School Days" this three album era was Stanley stepping out and rippin it up.

All tracks composed by Stanley Clarke; except where indicated

"Silly Putty" (4:52)
"Journey to Love" (4:52)
"Hello Jeff" (5:16)
"Song to John, Part 1" (Clarke, Corea) (4:22)
"Song to John, Part 2" (Clarke, Corea) (6:09)
"Concerto for Jazz/Rock Orchestra, Parts 1-4" (14:25)


Stanley Clarke - electric bass, acoustic bass, organ, piccolo bass (first used by Stanley Clarke) with Maestro Synthesizer on "Concerto For Jazz/Rock Orchestra," hand bells, tubular bells, gong, vocals
Jeff Beck - electric guitar on "Hello Jeff" and guitar solo on "Journey to Love"
Chick Corea - acoustic piano on "Song to John"
George Duke - organ, synthesizer, Moog synthesizer, keyboard, Arp Odyssey, clavinet, acoustic piano, electric piano, bells, vocals
Earl Chapin - brass horn
John Clark - brass horn
Jon Faddis - trumpet
Steve Gadd - drums, percussions
Peter Gordon - brass horn
Tom "Bones" Malone - trombone
John McLaughlin - acoustic guitar on "Song to John"
Alan Rubin - trumpet
David Sancious - electric guitar, 12-string guitar
Lew Soloff - trumpet
David Taylor - trombone
Lenny White - drums on "Hello Jeff"
Wilmer Wise - brass horn
 
..................... :bow-blue:



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First Take -- CD

Roberta Flack

1969/1995 Atlantic Records

Roberta Flack's First Is Her Best, October 20, 1999
By A Customer
This review is from: First Take (Audio CD)

"First Take" is Roberta Flack's best album. Listening to it, you can see why she created a real stir in her early days. Intelligence, artistry, a jazz AND folk sensibility, deeply held passion, and spirituality are just a few words to describe what that amazing brand new voice was bringing to the table. It must've been amazing to hear her in a small club in those days before she hit it big and got somewhat swallowed up by that great big pop maw. "Compared To What" is a fine opener to an album that keeps a very organic and sustained tone throughout, but the real payoff here is "I Told Jesus". Absolutely mind-blowing, it will take you someplace that will send shivers up and down your spine. Listen to it in a darkened room alone with your - and her - thoughts.

"Compared to What" (Gene McDaniels) - 5:16
"Angelitos Negros" (Andrés Eloy Blanco, Manuel Alvarez Maciste) - 6:56
"Our Ages or Our Hearts" (Robert Ayers, Donny Hathaway) - 6:09
"I Told Jesus" (Traditional) - 6:09
"Hey, That's No Way to Say Goodbye" (Leonard Cohen) - 4:08
"The First Time Ever I Saw Your Face" (Ewan MacColl) - 5:22
"Tryin' Times" (Donny Hathaway, Leroy Hutson) - 5:08
"Ballad of the Sad Young Men" (Fran Landesman, Tommy Wolf) - 7:00
 
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Gaucho -- DVD-A

Steely Dan

1980/2004 MCA Records

Gaucho on DVD-A, May 25, 2011
By Joe Appierto - See all my reviews
This review is from: Gaucho [DVD Audio] (DVD Audio)

This is one of my favorite DVD-A recordings because it's both a fine recording that highlights the benefits of the DVD-A medium (even in stereo which is how I listen to it) and musically. It's also one of my favorite Steely Dan albums. The price is competitive for an album of this quality and I believe it's a good choice for both music lovers and audiophiles. Heartily recommended.

Side one

"Babylon Sisters" – 5:55
"Hey Nineteen" – 5:10
"Glamour Profession" – 7:29

Side two

"Gaucho" – 5:32
"Time Out of Mind" – 4:14
"My Rival" – 4:34
"Third World Man" – 5:13
 
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drag -- CD

k.d. lang

1997 Warner Bros. Records

k.d. lang is a goddess, December 26, 2001
By Kristen A. Criado (Franklin, PA USA) - See all my reviews
(REAL NAME)
This review is from: Drag (Audio CD)

k.d.lang has a voice that just soars and is able to wrap itself around a song. I would call her a modern day Karen Carpenter. The depth of emotion in her singing and the songs on this album just show off that range. The theme of "drag" is carried throughout the album in the smokey sound of her voice and the literally smokey/airy titles of the songs. "The Air That I Breathe" is a perfect example of the floating vocals making a perfectly perfect ethereal atmosphere.

This is an amazing album of songs sung by an amazing voice of our time. Haunting and moving. A definite must for any music lover and an absolute must for a k.d. fan.

"Don't Smoke in Bed" (Willard Robison) – 3:22
"The Air That I Breathe" (Albert Hammond, Mike Hazelwood) – 5:58
"Smoke Dreams" (John Klenner, Lloyd Shaffer, Ted Steele) – 3:49
"My Last Cigarette" (Gary Clark, Boo Hewerdine, Neill MacColl) – 4:09
"The Joker" (Eddie Curtis, Ahmet Ertegün, Steve Miller) – 4:44
"Theme from the Valley of the Dolls" (Dory Langdon, Andre Previn) – 3:02
"Your Smoke Screen" (David Barbe) – 2:29
"My Old Addiction" (David Wilcox) – 6:39
"Till the Heart Caves In" (T-Bone Burnett, Bob Neuwirth, Roy Orbison) – 3:30
"Smoke Rings" (Gene Gifford, Ned Washington) – 3:36
"Hain't It Funny" (Jane Siberry) – 6:23
"Love Is Like a Cigarette" (Jerome Jerome, Walter Kent, Richard Byron) – 4:45
 
Their last album...... :handgestures-thumbup:


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In The Mood: The Love Songs -- 2 CD Set

Alabama

2003 RCA Nashville

What A Way To Go!, March 31, 2003
By Michael A. Clark (Londonderry Northern Ireland) - See all my reviews
(VINE VOICE) (REAL NAME)
Amazon Verified Purchase(What's this?)
This review is from: In the Mood: Love Songs (Audio CD)

It's sad to see Alabama retire but I guess after 20+ years they deserve it. In The Mood again is an Alabama classic despite that there are only two previously unreleased tracks on this awesome CD. Every song is a fantastic classic hit. This compilation was very well picked and all the songs are truely awesome love songs. If Alabama wanted to give us one final hoooraaahhhhhhhh! ---- then this is it and they went out with a bang! I would highly recommend this CD to any Alabama fan. All the awesome love songs together on a double CD. What more could we ask for as a grand finale? Happy retirement Alabama and thank you for all those years of beautiful music!

Disc one

"I'm in the Mood"
"The Living Years"
"When We Make Love"
"Touch Me When We're Dancing"
"Feels So Right"
"How Do You Fall in Love"
"Fallin' Again"
"Lady Down on Love"
"The Closer You Get"
"If I Had You"
"We Can't Love Like This Anymore"
"Then Again"

Disc two

"Here We Are"
"Face to Face"
"Take Me Down"
"In Pictures"
"Close Enough to Perfect"
"Forever's as Far as I'll Go"
"Love in the First Degree"
"There's No Way"
"God Must Have Spent a Little More Time on You"
"Nothing Comes Close"
"Once Upon a Lifetime"
 
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The Rare Delight of You -- SACD

John Pizzarelli with The George Shearing Quartet

2002 Telarc Jazz

Quite Delightful, Indeed!
,
March 7, 2003
By M. Hartman
This review is from: The Rare Delight of You (Audio CD)

With a growing number of singers reinterpreting the old Jazz standards, the results have far too often fallen far short of their forebearers. With the recent demise of Peggy Lee and Rosemary Clooney the stylistic shortcomings of some of the current batch of jazz vocalists are even more pronounced. Then there is John Pizzarelli, a top-notch guitarist with a fine voice. This pairing of John with the legendary George Shearing is absolutely shimmering. It is largely a reinterpretation of the repetoire Shearing used with Ms. Lee and others but includes some of Pizzarelli's own compositions as well. The playing by both Pizzarelli and Shearing's combo is wonderful throughout.

"If Dreams Come True"
"The Lady's In Love with You"
"Everything Happens to Me"
"Lulu's Back In Town"
"Something to Remember You By"
"Lemon Twist"
"Lost April"
"Problem"
"The Rare Delight of You"
"Shine On Your Shoes"
"Indian Summer"
"Be Careful It's My Heart"
"September In the Rain"
"I Predict"
"Lucky to Be Me"


John Pizzarelli - vocals, guitar
George Shearing - piano
Ted Piltzecker - vibraphone
Reg Schwager - guitar
Neil Swainson - double-bass
Dennis Mackrel - drums
 
The Jazz was nice, but it's time for a little "Opera"................ :music-rockout:


............. :bow-blue:

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Tommy -- 2 SACD Deluxe Edition

The Who

1969/2003 Decca/Geffen Records

A Review From Someone With SACD Player..., December 30, 2003
By A Customer
This review is from: Tommy (Deluxe Edition) (Hybrid SACD) (Audio CD)

okay... i normally don't review too many albums on amazon, but was i amazed to read all these reviews from people who chat about the album but then go on to say "but i haven't heard it on SACD yet." so i thought someone might benefit from reading about the surround mix in SACD...

well, it is simply amazing, especially for having been mixed by the near-deaf townsend (surely its a joke!).

the most amazing thing about the 5.1 surround mix is how present and powerful keith moon's drumming is. i have always pointed to "quadrophenia" as the shining example of his frenetic hammering of the drums. but now i can more fully appreciate his drumming on "tommy." the drums sound amazing on this SACD surround mix. no other words can describe it.

one of the reasons for the drums being more powerful is the ability to follow keith's "live in the studio" drumming more closely. you see, all the "accentuating" drum parts (tympani, gongs, cymbal splashes) are all separated from keith's drums in the mix... it wasn't as clear in the stereo mix which drums keith is playing, and which drums are over-dubbed elements.... but here, they are coming at you from different sides of the room. this makes for some amazing parts, particularly during "sparks" and "overture", where keiths keeps pounding out a rhythm, then the tympani drums build up to a crescendo.

also, pete and roger's vocals are sometimes separated in the mix. pete's first words on the alubm came as a shock. he sings, "captain walker didn't come home. his unborn child will never know him." and he's coming from the rear right speaker (mostly) and roger and all come in later, together chanting "a son, a son, a son" from the front speakers. its pretty powerful stuff from the get-go.

i could go on and on. but the most amazing thing truly is the fidelity... i hear things i've never heard before, and i thought i was prety intimately familiar with the album. subtle touches now are given such depth and prominence... and the separation that is achieved with surround sound allows the listener to follow a particular part or a particular instrument...
you can hear pete breathe in before singing... you can hear the sound of his pick against the acoustic guitar. you can hear a few of keith's dud hits on the snare (thought they are few, and always charming to hear).

another reviewer said, "reason alone to buy a SACD player."
i agree.

thanks for reading.

Track listing

All songs written by Pete Townshend, except where noted.

Side one
No. Title Length
1. "Overture" 3:50
2. "It's a Boy" 2:07
3. "1921" 3:14
4. "Amazing Journey" 3:25
5. "Sparks" 3:45
6. "Eyesight to the Blind (The Hawker)" (Sonny Boy Williamson II) 2:15

Side two
No. Title Length
1. "Christmas" 5:30
2. "Cousin Kevin" (John Entwistle) 4:03
3. "The Acid Queen" 3:31
4. "Underture" 9:55

Side three
No. Title Length
1. "Do You Think It's Alright?" 0:24
2. "Fiddle About" (Entwistle) 1:26
3. "Pinball Wizard" 3:50
4. "There's a Doctor" 0:25
5. "Go to the Mirror!" 3:50
6. "Tommy Can You Hear Me?" 1:35
7. "Smash the Mirror" 1:20
8. "Sensation" 2:32

Side four
No. Title Length
1. "Miracle Cure" 0:10
2. "Sally Simpson" 4:10
3. "I'm Free" 2:40
4. "Welcome" 4:30
5. "Tommy's Holiday Camp" (Keith Moon) 0:57
6. "We're Not Gonna Take It" 6:45


Deluxe edition

In 2003, Tommy was released as a deluxe edition on a Hybrid SACD and DVD-Audio. The two formats featured the original album remixed into 5.1 surround sound and both featured a bonus disc of "out-takes and demos". The DVD-Audio edition also includes a bonus video interview with Pete Townshend plus a demonstration of his remixing the original recording into 5.1 sound.
Bonus disc

The first twelve tracks are out-takes and demos and the last five are stereo-only demos.

"I Was" – 0:17
"Christmas" (out-take 3) – 4:43
"Cousin Kevin Model Child" – 1:25
"Young Man Blues" (Version one) (Allison) – 2:51
"Tommy Can You Hear Me?" (alternate version) – 1:59
"Trying to Get Through" – 2:51
"Sally Simpson" (out-take) – 4:09
"Miss Simpson" – 4:18
"Welcome" (Take two) – 3:44
"Tommy's Holiday Camp" (band's version) – 1:07
"We're Not Gonna Take It" (alternate version) – 6:08
"Dogs (Part Two)" (Moon) – 2:26
"It's a Boy" – 0:43
"Amazing Journey" – 3:41
"Christmas" – 1:55
"Do You Think It's Alright" – 0:28
"Pinball Wizard" – 3:46

A cover of "One Room Country Shack" was also recorded and considered for inclusion but was scrapped from the final track listing as Townshend could not figure out a way to incorporate it in the plot of "Tommy."
 
This one sounds really, really good..... :eusa-clap:


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REPTILE 24-bit HDCD Import

Eric Clapton

2001 East Record & Tape Company (Virgin Japan - I think :confusion-scratchheadyellow: )

"Reptile" - as in "Lizard Lounge" and it's Great!
, April 5, 2001
By Martin A Hogan "Marty From SF" (San Francisco, CA. (Hercules)) - See all my reviews
(VINE VOICE) (TOP 100 REVIEWER) (2008 HOLIDAY TEAM) (REAL NAME)
Amazon Verified Purchase(What's this?)
This review is from: Reptile (Audio CD)

For those expecting the rock of "Layla", the variety of "Pilgrim" or the funkiness of "461 Ocean Boulevard", you might be disappointed, but "Reptile" is a masterpiece. All fourteen songs are what you might expect from a personal concert in a small cafe from Eric Clapton. Rythym and Blues are the mainstay here and it shows with classic covers of Ray Charles', "Come Back Baby", James Taylors' "Don't Let Me Be Lonely Tonight" and Stevie Wonders', "I Ain't Gonna Stand For It". This collection stands out for consistency and pure love of 'feel good' club music. Granted, Clapton does push more energy on "Superman Inside", almost 'out-blues' himself on "Got You On My Mind" and pulls at your heartstrings with the lovely instrumental, "Son & Sylvia". Each of Clapton's albums vary from time to time and usually for the better. This is a 'low key evening by the fire' collection. It's just one of the things Clapton does the best.

"Reptile" (Eric Clapton) – 3:26
"Got You on My Mind" (Joe Thomas, Howard Briggs) – 4:30
"Travelin' Light" (J. J. Cale) – 4:17
"Believe in Life" (Clapton) – 5:05
"Come Back Baby" (Ray Charles) – 3:55
"Broken Down" (Simon Climie, Dennis Morgan) – 5:25
"Find Myself" (Clapton) – 5:15
"I Ain't Gonna Stand for It" (Stevie Wonder) – 4:49
"I Want a Little Girl" (Murray Mencher, Billy Moll) – 2:58
"Second Nature" (Clapton, Climie, Morgan) – 4:48
"Don't Let Me Be Lonely Tonight" (James Taylor) – 4:47
"Modern Girl" (Clapton) – 4:49
"Superman Inside" (Clapton, Doyle Bramhall II, Susannah Melvoin) – 5:07
"Son & Sylvia" (Clapton) – 4:43
"Losing Hand" [Bonus track from Japanese release] (Jesse Stone) – 4:18
 
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Taking The Long Way -- 2 - 24 Bit K2 XRCD Set

Dixie Chicks

2006 Universal Music (Import - Japan)

Amazon.com

Nothing changes folks like babies and war, and since the release of their last album, 2002's Home, the Dixie Chicks have been forever altered by both. If that album showcased the trio as precocious young adults, Taking the Long Way finds them sobered and matured, and in a grown-up state of mind. Produced by the celebrated Rick Rubin (Johnny Cash, Red Hot Chili Peppers), who saw the Chicks as "a great rock act making a country album, not a country act making a rock album," their new record impresses both as beautiful sonic tapestry (peppered with myriad Beatlesque hallmarks) and forthright yet vulnerable portrait of three women shaken by the personal and political events of the past few years. As they make clear in the defiant "Not Ready to Make Nice," they still smart over the backlash from their 2003 Bushwhacking. But as they assert on the equally autobiographical "The Long Way Around," they could never "kiss all the asses that they told me to" and just follow others aimlessly--and silently--through life. This means that the Chicks are simultaneously prideful and scornful of celebrity ("Everybody Knows"), and that as new mothers they increasingly treasure the refuge they find in life with their families, out of the spotlight ("Easy Silence," "Lullaby," "Baby Hold On"). The push and pull of both passions drive this record, which also touches on the personal issues of infertility (with which sisters Martie Maguire and Emily Robison both dealt) and Alzheimer's (from which Natalie Maines's grandmother suffers). The trio crafted all 14 cuts with the help of such writers as Sheryl Crow, Gary Louris, Mike Campbell, and Keb' Mo', laying out their lives as honestly and intimately as they might in their diaries. For that reason, on first listen, Taking the Long Way seems too somber--in need of a bit of levity and more than a couple of uptempo songs (like the sexy, '60s-flavored "I Like It") to resonate for the long haul. It also seems to lack the writing quality that Darrell Scott, Patty Griffin, and Bruce Robison brought to Home. But on repeated plays, those concerns dissipate. By the last cut, the R&B/gospel offering "I Hope," the Chicks have chronicled their journey with as much spirituality as spunk, their pain deeply ingrained in their protests. --Alanna Nash

All songs were written by Martie Maguire, Natalie Maines, Emily Robison and Dan Wilson, except where noted.

"The Long Way Around" – 4:33
"Easy Silence" – 4:02
"Not Ready to Make Nice" – 3:58
"Everybody Knows" (Gary Louris, Maguire, Maines, Robison) – 4:18
"Bitter End" (Louris, Maguire, Maines, Robison) – 4:38
"Lullaby" – 5:51
"Lubbock or Leave It" (Mike Campbell, Maguire, Maines, Robison) – 3:54
"Silent House" (Neil Finn, Maguire, Maines, Robison) – 5:23
"Favorite Year" (Sheryl Crow, Maguire, Maines) – 4:29
"Voice Inside My Head" (Maguire, Maines, Linda Perry, Robison, Wilson) – 5:52
"I Like It" (Louris, Maguire, Maines, Robison) – 4:34
"Baby Hold On" (Louris, Maguire, Maines, Robison, Pete Yorn) – 5:04
"So Hard" – 4:29
"I Hope" (Maguire, Maines, Kevin Moore, Robison) – 5:25


The Second XR-CD is a Greatest Hits Compilation...... :handgestures-thumbup:
 
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What Do I Do With Me -- CD

Tanya Tucker

1991 Capitol Records

If you only buy one Tanya CD, this is the one!
, December 9, 1999
By A Customer
This review is from: What Do I Do With Me (Audio CD)

Tanya Tucker has recorded many cds, most contain several very good songs surrounded by filler. By the time this album came along, Tanya was in the midst of a career resurgance (about halfway into her time with Capital records). Upon release, it was critically acclaimed and became Tanya's biggest selling album to date. And what an album it is! This is probably the most mature, most thoroughly satisfying album (yet) from Nashville's most feisty performer. She stands in sharp contrast to the bland, faceless, factory-made country/pop that Nashville currently favors. Her 'complicated' personality dots this cd, and she gives memorable performances to memorable tunes. Mid- to upper-tempo tunes like "If Your Heart Ain't Busy Tonight" and "Down to My Last Teardrop" became big hits, deservedly so. Ballads drenched with her emotion-filled, smokey-throated voice like the title tune (one of her best songs ever) are convincing in a way that current country/pop divas (and you know who they are!) can't come close to. "Bidding America Goodbye" is a touching song that vividly describes the plight of today's farmers. "Some Kind of Trouble" is bluesy, country/rock that Tanya can do so well. And the last song, "Right About Now", is a real album highlight. If you are looking for a Tanya Tucker album that is consistently excellent, contains some of her best vocal work, and has songs that you'll find yourself humming to yourself long after you listen to it -- then this is the cd to get.

"If Your Heart Ain't Busy Tonight" (Tom Shapiro, Chris Waters) – 3:02
"Some Kind of Trouble" (Mike Reid, Brent Maher, Don Potter) – 3:51
"(Without You) What Do I Do with Me" (Royce Porter, L. David Lewis, David Chamberlain) – 2:55
"Down to My Last Teardrop" (Paul Davis) – 3:28
"Everything That You Want" (Randy Sharp, Jack Wesley Routh) – 3:42
"Trail of Tears" (Paul Kennerley) – 3:02
"Bidding America Goodbye (The Auction)" (Jamie O'Hara) – 3:21
"Time and Distance" (Donny Lowery, Randy Sharp) – 3:48
"He Was Just Leaving" (Lisa Angelle, Walt Aldridge) – 3:40
"Right About Now" (Rick Bowles, Jeff Silbar) – 3:38
 
Dennie said:
The Jazz was nice, but it's time for a little "Opera"................ :music-rockout:


............. :bow-blue:

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Tommy -- 2 SACD Deluxe Edition

The Who

1969/2003 Decca/Geffen Records

A Review From Someone With SACD Player..., December 30, 2003
By A Customer
This review is from: Tommy (Deluxe Edition) (Hybrid SACD) (Audio CD)

okay... i normally don't review too many albums on amazon, but was i amazed to read all these reviews from people who chat about the album but then go on to say "but i haven't heard it on SACD yet." so i thought someone might benefit from reading about the surround mix in SACD...

well, it is simply amazing, especially for having been mixed by the near-deaf townsend (surely its a joke!).

the most amazing thing about the 5.1 surround mix is how present and powerful keith moon's drumming is. i have always pointed to "quadrophenia" as the shining example of his frenetic hammering of the drums. but now i can more fully appreciate his drumming on "tommy." the drums sound amazing on this SACD surround mix. no other words can describe it.

one of the reasons for the drums being more powerful is the ability to follow keith's "live in the studio" drumming more closely. you see, all the "accentuating" drum parts (tympani, gongs, cymbal splashes) are all separated from keith's drums in the mix... it wasn't as clear in the stereo mix which drums keith is playing, and which drums are over-dubbed elements.... but here, they are coming at you from different sides of the room. this makes for some amazing parts, particularly during "sparks" and "overture", where keiths keeps pounding out a rhythm, then the tympani drums build up to a crescendo.

also, pete and roger's vocals are sometimes separated in the mix. pete's first words on the alubm came as a shock. he sings, "captain walker didn't come home. his unborn child will never know him." and he's coming from the rear right speaker (mostly) and roger and all come in later, together chanting "a son, a son, a son" from the front speakers. its pretty powerful stuff from the get-go.

i could go on and on. but the most amazing thing truly is the fidelity... i hear things i've never heard before, and i thought i was prety intimately familiar with the album. subtle touches now are given such depth and prominence... and the separation that is achieved with surround sound allows the listener to follow a particular part or a particular instrument...
you can hear pete breathe in before singing... you can hear the sound of his pick against the acoustic guitar. you can hear a few of keith's dud hits on the snare (thought they are few, and always charming to hear).

another reviewer said, "reason alone to buy a SACD player."
i agree.

thanks for reading.

Track listing

All songs written by Pete Townshend, except where noted.

Side one
No. Title Length
1. "Overture" 3:50
2. "It's a Boy" 2:07
3. "1921" 3:14
4. "Amazing Journey" 3:25
5. "Sparks" 3:45
6. "Eyesight to the Blind (The Hawker)" (Sonny Boy Williamson II) 2:15

Side two
No. Title Length
1. "Christmas" 5:30
2. "Cousin Kevin" (John Entwistle) 4:03
3. "The Acid Queen" 3:31
4. "Underture" 9:55

Side three
No. Title Length
1. "Do You Think It's Alright?" 0:24
2. "Fiddle About" (Entwistle) 1:26
3. "Pinball Wizard" 3:50
4. "There's a Doctor" 0:25
5. "Go to the Mirror!" 3:50
6. "Tommy Can You Hear Me?" 1:35
7. "Smash the Mirror" 1:20
8. "Sensation" 2:32

Side four
No. Title Length
1. "Miracle Cure" 0:10
2. "Sally Simpson" 4:10
3. "I'm Free" 2:40
4. "Welcome" 4:30
5. "Tommy's Holiday Camp" (Keith Moon) 0:57
6. "We're Not Gonna Take It" 6:45


Deluxe edition

In 2003, Tommy was released as a deluxe edition on a Hybrid SACD and DVD-Audio. The two formats featured the original album remixed into 5.1 surround sound and both featured a bonus disc of "out-takes and demos". The DVD-Audio edition also includes a bonus video interview with Pete Townshend plus a demonstration of his remixing the original recording into 5.1 sound.
Bonus disc

The first twelve tracks are out-takes and demos and the last five are stereo-only demos.

"I Was" – 0:17
"Christmas" (out-take 3) – 4:43
"Cousin Kevin Model Child" – 1:25
"Young Man Blues" (Version one) (Allison) – 2:51
"Tommy Can You Hear Me?" (alternate version) – 1:59
"Trying to Get Through" – 2:51
"Sally Simpson" (out-take) – 4:09
"Miss Simpson" – 4:18
"Welcome" (Take two) – 3:44
"Tommy's Holiday Camp" (band's version) – 1:07
"We're Not Gonna Take It" (alternate version) – 6:08
"Dogs (Part Two)" (Moon) – 2:26
"It's a Boy" – 0:43
"Amazing Journey" – 3:41
"Christmas" – 1:55
"Do You Think It's Alright" – 0:28
"Pinball Wizard" – 3:46

A cover of "One Room Country Shack" was also recorded and considered for inclusion but was scrapped from the final track listing as Townshend could not figure out a way to incorporate it in the plot of "Tommy."


What The Who was doing in the late 1960's and Early 1970's is just unreal!!

:text-bravo:
 
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Changes In Latitudes, Changes in Attitudes -- CD

Jimmy Buffett

1977/1987 MCA Records

Amazon.com essential recording

Buffett sold his promise as a real-world singer-songwriter God knows how many boats ago, but 1977's Changes remains one of his last stands before plunging into a sea of parrotheads, "Fins," and personal empire building. "Margaritaville" was the deceptively lighthearted hit, but Steve Goodman's "Banana Republics" and the title tune also raised an eyebrow at the worlds Buffett encountered in his 100-proof-fueled travels. Yet soon the empire would overtake the wit and ego would subsume his creative reach. --Rickey Wright

1. "Changes in Latitudes, Changes in Attitudes" Buffett 3:15
2. "Wonder Why We Ever Go Home" Buffett 3:51
3. "Banana Republics" Burgh/Goodman/Rothermel 5:11
4. "Tampico Trauma" Buffett 4:35
5. "Lovely Cruise" Johnathan Baham 3:54
6. "Margaritaville" Buffett 4:09
7. "In the Shelter" Buffett 4:00
8. "Miss You So Badly" Buffett/Taylor 3:41
9. "Biloxi" Winchester 5:38
10. "Landfall" Buffett 3:14
 
heeman said:
What The Who was doing in the late 1960's and Early 1970's is just unreal!!

:text-bravo:
You are absolutely right and that SACD Set is fantastic!! :text-bravo:



Dennie
 
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