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Tears, Lies & Alibis -- CD

Shelby Lynne

2010 Everso Records

clear, spare, heartwrenching and pure, May 18, 2010
By Sound of Musik (New York) - See all my reviews
This review is from: Tears, Lies, And Alibis (Audio CD)

Recently saw Shelby live in NYC and she is spellbinding. She played most of "Tears, Lies..." in the same spare, elegant manner on the cd, and she was mesmerising. Alibi is one of the great ballads of the 21st century. See her live, buy her music, she's as real and beautiful as it gets.

1. "Rains Came" 2:25
2. "Why Didn't You Call Me" 1:39
3. "Like a Fool" 3:58
4. "Alibi" 4:25
5. "Something to Be Said" 3:53
6. "Family Tree" 3:45
7. "Loser Dreamer" 4:52
8. "Old #7" 3:32
9. "Old Dog" 5:27
10. "Home Sweet Home" 3:32
 
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The Dance -- CD

Fleetwood Mac

1997 Reprise Records

Amazon.com essential recording

Fleetwood Mac's 1997 reunion could have been the kind of event that works on video--great concert, after all--but ends up not paying off in repeated listenings on CD. But The Dance, while concentrating on the group's '70s and '80s triumphs, finds the Mac energy running high and impassioned. New songs like "Temporary One" and "Bleed to Love Her" are fine additions to the canon, while "Everywhere" and "Say You Love Me" both breeze along the way you remember them and manage a reinvention in the live setting. The dark side of the vision is accounted for with Lindsey Buckingham's crazed solo "Big Love," but best of all is "Silver Springs," wherein Stevie Nicks tears the roof off the sucker and sets fire to the rubble. --Rickey Wright

"The Chain" (Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks) – 5:11
"Dreams" (Nicks) – 4:39
"Everywhere" (C. McVie) – 3:28
"Rhiannon" (Nicks) – 6:48
"I'm So Afraid" (Buckingham) – 7:45
"Temporary One" (C. McVie, Quintela) – 4:00
"Bleed to Love Her" (Buckingham) – 3:27
"Big Love" (Buckingham) – 3:06
"Landslide" (Nicks) – 4:28
"Say You Love Me" (C. McVie) – 5:00
"My Little Demon" (Buckingham) – 3:33
"Silver Springs" (Nicks) – 5:41
"You Make Loving Fun" (C. McVie) – 3:50
"Sweet Girl" (Nicks) – 3:19
"Go Your Own Way" (Buckingham) – 5:00
"Tusk" (Buckingham) – 4:22
"Don't Stop" (C. McVie) – 5:31
 
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Natural Act

Kris & Rita

1979 A&M Records Demo Label

A forgotten gem, June 30, 2000
By A Customer
This review is from: Natural Act (Audio CD)

The final installment of the Kris & Rita "trilogy," this album was less country-oriented than the previous two; but a fine album none the less. It appears as if the impending divorce might have had an impact on the album as a whole. Not only do several of the song titles imply a failed love affair, but the cover photo itself seems somber in comparison to the more upbeat-looking covers of the previous two albums. Even the title of the album could be interpreted as keeping with this theme. The possibility that this was a concept album about the breakup only adds to its appeal. Kris and Rita were very obviously in love, even at this point, and the painful mixed emotions they are feeling over the divorce come through on this album; making it an irresistably personal document of their marriage and heartwrenching breakup. If you are a fan of either Kris or Rita or both, don't overlook this historically important--yet often forgotten--final collaboration.

"Blue as I Do" (Stephen Bruton) – 2:53
"Not Everyone Knows" (Robert "Rob Dog" Morrison, Billy Swan) – 3:08
"I Fought the Law" (Sonny Curtis) – 2:27
"Number One" (Sonny Curtis, Billy Swan) – 2:35
"You're Gonna Love Yourself (In the Morning)" (Donnie Fritts) – 2:54
"Loving Her Was Easier (Than Anything I'll Ever Do Again)" (Kristofferson) – 4:09
"Back in My Baby's Arms" (T-Bone Burnett) – 2:59
"Please Don't Tell Me How the Story Ends" (Kristofferson) – 2:23
"Hoola Hoop" (T-Bone Burnett, John Fleming, Roscoe West) – 3:51
"Love Don't Live Here Anymore" (Kristofferson) – 3:47
"Silver Mantis" (T-Bone Burnett) – 5:35
 
This is the original 1974 cover.....


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I guess, not many people were buying it with that cover, so in 1977 they reissued it with this cover.....


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Slow Dancer

Boz Scaggs

1977 Columbia Records

The Soul of Boz Scaggs, June 4, 2009
By Jon Holcombe - See all my reviews
(REAL NAME)
This review is from: Slow Dancer (Audio CD)

Springing from the R & B tradition of the 70's, Thom Bell, Marvin Gaye, Gamble and Huff, and Philly Soul, Boz found a funky, sweet, soulful and highly melodic sensibility that was an early not-yet-disco precursor to Silk Degrees. Opening with "Slow Dancer", orchestrated with swelling strings, he sets the tone for the aching romanticism to follow. Angel Lady is a "Bobby Womackesque" (a la "Across 110th Street") funky workout with horns and snapping drums and guitar. "Hercules" is a another fantastic funky workout that could have been the theme of a "blaxploitation" 70's movie. "Take It For Granted" is my favorite Boz Scaggs song. A scorchingly soul baring, articulate love poem of a vulnerable male soul. An exquisitely beautiful melody, strings and background singers make this one of the great love songs of the 1970's.

Silk Degrees made him a star, and may be a slicker more consistent album, but Slow Dancer exposes the vulnerable, male soul of Boz Scaggs.

All tracks composed by Boz Scaggs; except where indicated

"You Make It So Hard (To Say No)"
"Slow Dancer" (George Daly, Scaggs) - 3:10
"Angel Lady (Come Just In Time)" (Johnny Bristol, Jack McDonough, Scaggs)
"There Is Someone Else"
"Hercules" (Allen Toussaint)
"Pain of Love" (Johnny Bristol)
"Sail on White Moon" (Johnny Bristol)
"Let It Happen" (Johnny Bristol, Scaggs)
"I Got Your Number" (Johnny Bristol, Eddie Reeves)
"Take It for Granted"
 
Today's work truck music....


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Live Bootleg -- Remastered 20bit CD

Aerosmith

1978/1993 Sony Music

LIVE! BOOTLEG has been digitally remastered using Sony's 20-Bit Digital Super Bit Mapping process. This release includes new deluxe packaging with original release liner notes, photos and artwork.

Unlike many live albums that of this time period that were overdubbed and doctored, BOOTLEG is Aerosmith at its rawest. "Back in the Saddle" and "Toys in the Attic" contain plenty of ragged guitar playing. Despite the sub-par sound quality, the tracks triumph nonetheless thanks to the primal vibe generated by the band's chemistry. Yes, hits like "Walk This Way" and "Dream On" are included, but the true gems are oft-overlooked nuggets like "Chip Away the Stone," "Mama Kin," and an uncredited "Draw the Line" that overflow with Aerosmith's trademark sass and attitude. James Brown's "Mother Popcorn" and the blues classic "I Ain't Got You" (originally done by the Yardbirds), not only show the band's range, but its love of black music.

1. Back in the Saddle
2. Sweet Emotion
3. Lord of the Thighs
4. Toys in the Attic
5. Last Child
6. Come Together
7. Walk This Way
8. Sick as a Dog
9. Dream On
10. Chip Away the Stone
11. Sight for Sore Eyes
12. Mama Kin
13. S.O.S. (Too Bad)
14. I Ain't Got You
15. Mother Popcorn
16. Train Kept A'Rollin'/Strangers in the Night
17. Draw the Line
 
No. Title Length
1. "4:30 AM (Apparently They Were Travelling Abroad)" 3:12
2. "4:33 AM (Running Shoes)" 4:08
3. "4:37 AM (Arabs with Knives and West German Skies)" 2:17
4. "4:39 AM (For the First Time Today, Part 2)" 2:02
5. "4:41 AM (Sexual Revolution)" 4:49
6. "4:47 AM (The Remains of Our Love)" 3:09

No. Title Length
1. "4:50 AM (Go Fishing)" 6:59
2. "4:56 AM (For the First Time Today, Part 1)" 1:38
3. "4:58 AM (Dunroamin, Duncarin, Dunlivin)" 3:03
4. "5:01 AM (The Pros and Cons of Hitch Hiking, Part 10)" 4:36
5. "5:06 AM (Every Stranger's Eyes)" 4:48
6. "5:11 AM (The Moment of Clarity)" 1:28
 

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Just pulled it out of the mailbox from Amazon. If you're a fan of the last album titled LUNGS, this exceeds it in all facets IMO...
 
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Outstandingly good album. I love discovering these gems that have been around awhile, but have slipped under my radar. :handgestures-thumbup:
 
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ChangesBowie -- CD

David Bowie

1990 RYKODISC

Amazon.com

The 1976 best-of Changesonebowie (slyly named for a Charles Mingus disc issued the previous year) was the Thin White Duke's last major commercial hit of the decade. Collecting famed singles and album cuts from an amazingly fertile period, it clicked both with those who got into Bowie through his mainstream popularity and with the crowd who loved him for his challenge to it. This expanded edition goes forward from "Golden Years," the original closer, with a hopscotch through later radio favorites like "Let's Dance." Flaws? A remixed "Fame '90" that already sounded dated when it was new, and the disc's omission of almost all of Bowie's collaborations with Brian Eno. The upside? A generally smart update of a key compilation. --Rickey Wright

Side one

"Space Oddity" (from Space Oddity, 1969) – 5:14
"John, I’m Only Dancing" (from "John, I’m Only Dancing" single, 1972) – 2:43 (Sax Version - 2:41)
"Changes" (from Hunky Dory, 1971) – 3:33
"Ziggy Stardust" (from Ziggy Stardust, 1972) – 3:13
"Suffragette City" (from Ziggy Stardust, 1972) – 3:25
"The Jean Genie" (from Aladdin Sane, 1973) – 4:03

Side two

"Diamond Dogs" (from Diamond Dogs, 1974) – 5:56
"Rebel Rebel" (from Diamond Dogs, 1974) – 4:30
"Young Americans" (from Young Americans, 1975) – 5:10
"Fame" (Bowie, Carlos Alomar, John Lennon) (from the single RCA 2579, 1975) – 3:30
"Golden Years" (from Station to Station, 1976) – 3:59
 
The price tag says "$1.00". :handgestures-thumbup:

I would have gave the "Trigger Happy Kid" with a pricing gun $1.50 to not have defaced this album cover! :angry-tappingfoot:


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Blow By Blow

Jeff Beck

1975 Epic Records


Amazon.com

His guitar-slinging contributions to the Yardbirds having dwarfed those of Eric Clapton or Jimmy Page, Mrs. Beck's bad boy spent the next several years playing blues-rock (the Jeff Beck Group with Rod Stewart), soul-rock (the second edition of that band), and leading a power trio. Then, he made this all-instrumental album, which was a huge 1975 success. Produced by George Martin, the nine-song session finds Beck fronting a keyboards-bass-drums outfit, augmented by some tastefully unobtrusive string arrangements. Call it a jazz-fusion album at your own risk. While Beck's playing is less in-your-face than his previous efforts, all the fierce attack, thick tone, microtonal bends, distortion, feedback, vibrato, sustain, sonic hoodoo, and rhythmic and harmonic creativity that the man's fans have come to know and love can be heard here. "Freeway Jam" boasts the most memorable melody and thus remains a Classic Rock staple to this day. "Cause We've Ended As Lovers"--written by Stevie Wonder--is Beck's gorgeous tribute to one of his own guitar-heroes, the now-deceased Roy Buchanan. --Don Waller

Side one
No. Title Writer(s) Length
1. "You Know What I Mean" Jeff Beck, Max Middleton 4:05
2. "She's A Woman" John Lennon and Paul McCartney 4:31
3. "Constipated Duck" Jeff Beck 2:48
4. "Air Blower" Beck, Middleton, Phil Chen, Richard Bailey 5:09
5. "Scatterbrain" Jeff Beck, Max Middleton 5:39

Side two
No. Title Writer(s) Length
1. "Cause We've Ended As Lovers" Stevie Wonder 5:52
2. "Thelonius" Stevie Wonder 3:16
3. "Freeway Jam" Max Middleton 4:58
4. "Diamond Dust" Bernie Holland 8:26
 
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Soul Brothers

Milt Jackson & Ray Charles

1958 Atlantic Records

Soul Brothers is an album recorded by Ray Charles and Milt Jackson and released by Atlantic Records in 1958. The album was later re-issued in a 2 CD compilation together with the Charles / Jackson album Soul Meeting and included additional tracks from the same recording sessions not present on the original LP releases.

LP side A

1. "Soul Brothers" (Jones) – 9:34
2. "How Long Blues" (Carr) – 9:15

LP side B

1. "Cosmic Ray" – 5:21
2. "Blue Funk" – 8:09
3. "Bag's Guitar Blues" (Jackson) – 6:23 [mono LP release][1]
3. "'Deed I Do" (Hirsch, Rose) – 5:50 [stereo LP release]
 
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My Feet Are Smiling

Leo Kottke

1973 Capitol Records

Jaw-droppingly good, November 25, 2001
By Tom Dupree - See all my reviews
This review is from: My Feet Are Smiling (Audio CD)

I was a newly hatched "rock" "critic" in Leo Kottke's actual birth-town back in Seventysomething, and this record arrived in one of the first critpax from the record company. I placed the needle on the slab, and *** if my ears didn't flap back into my brain. It was painful but revelatory. This is one of the four or five finest acoustic guitar albums ever released. It comes from a time when Kottke still wore folk/country influences on his sleeve but was still prepared to knock some doors down. "Standing in My Shoes" is slide-godlike. "June Bug," etc., the same. The medley that ends the set is a marvel of touch and taste. If you like acoustic power and you don't already have this one, my god, save yourself: click BUY NOW!

Side one

"Hear the Wind Howl" – 3:10
"Busted Bicycle" – 2:40
"Easter" – 3:19
"Louise" (Paul Siebel) – 4:26
"Blue Dot" – 2:58
"Stealing" – 3:03

Side two

"Living in the Country" (Pete Seeger) – 1:38
"June Bug" – 2:06
"Standing in My Shoes" (Leo Kottke/Denny Bruce) – 2:50
"The Fisherman" – 2:43
"Bean Time" – 2:15
"Eggtooth" (Leo Kottke/Michael Johnson) – 5:15
"Medley: Crow River Waltz,/Jesu, Joy of Man's Desiring/Jack Fig" ("Jesu…" composed by Johann Sebastian Bach) – 7:20
 
Today's work truck music.....


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God Willin' & The Creek Don't Rise -- CD

Ray LaMontagne & The Pariah Dogs

2010 RCA Records

2010 release, the fourth album from the Grammy nominated and critically acclaimed singer/songwriter. Entirely self produced, the album was recorded in two weeks at LaMontagne's home in the woods of western Massachusetts. The newly restored historic home served as a homemade recording studio for Ray and his fellow musicians. With Ray's vocals at the forefront of the songs and a loose, almost live sounding recording, the album stands as a testament to a band at the height of their powers. The newly coined 'Pariah Dogs', consists of Jay Bellarose (drums), Jennifer Condos (bass), Patrick Warren (keyboard), Eric Heywood (guitar) and Greg Leisz (pedal steel guitar).

1. "Repo Man" 6:08
2. "New York City's Killing Me" 4:13
3. "God Willin' & the Creek Don't Rise" 3:10
4. "Beg Steal or Borrow" 4:32
5. "Are We Really Through" 4:59
6. "This Love Is Over" 3:30
7. "Old Before Your Time" 4:04
8. "For the Summer" 3:52
9. "Like Rock & Roll and Radio" 6:05
10. "Devil's in the Jukebox" 3:59
 
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6 And 12 String Guitar

Leo Kottke

1971 Tokoma Records - Stereo

Amazon.com essential recording

For decades, Leo Kottke would inspire generations of fingerpicking acoustic guitarists (and help pave the way for New Age and contemporary instrumental music), but this 1969 album is the one that started it all. Kottke's brilliant debut was released, fittingly, on John Fahey's Takoma label. Showing the influence of Fahey himself (and Takoma labelmate Robbie Basho), Kottke performs impossibly difficult solo compositions that meld blues, bluegrass, and jazz techniques. Whether surefooted and quick ("The Driving of the Year Nail," "Jack Fig," "The Fisherman") or slow and reflective ("Ojo," "Jesu, Joy of Man's Desiring"), Kottke's instrumental work is simply awe-inspiring. He'd forge an entire career out of this music and eventually incorporate singing onto his albums, but this gem is Kottke at his very best. Essential. --Jason Verlinde


Side One

All songs written and composed by Leo Kottke, except where noted.
No. Title Length
1. "The Driving of the Year Nail" (From an old Etruscan drawing of a sperm cell) 1:54
2. "The Last of the Arkansas Greyhounds" (A terror-filled escape on a bus from a man fired from Beaumont ranch) 3:18
3. "Ojo" (Ojo Caliente where Zuni hid from Esteban, the Moor, and the Spaniards) 2:14
4. "Crow River Waltz" (A prayer for the demise of the canoe and the radar trap without which Federal prisons will have to be rebuilt to accommodate prepubescence) 3:20
5. "The Sailor's Grave on the Prairie" (Originally written to commemorate Nedicks and a Minneapolis musician's contempt for the three a.m. cheeseburger with a nickel slice of raw) 2:34
6. "Vaseline Machine Gun" (1) for waking up nude in a sleeping bag on the shore of the Atlantic surrounded by a volleyball game at high noon, and 2) for the end of the volleyball game) 3:11
7. "Jack Fig" (A reluctant lament) 2:14

Side Two
No. Title Length
1. "Watermelon" (While at Watermelon Park Music Festival I had the opportunity to play banjo in the middle of the night for a wandering drunk. When I finished he vomited — an astute comment on my playing. Made me feel very distinguished) 3:12
2. "Jesu, Joy of Man's Desiring" (J.S. Bach The engineer called this the ancient joy of man's desire. (Bach had twenty children because his organ didn't have any stops)) 2:24
3. "The Fisherman" (This is about the mad fishermen of the North whose ice fishing spots resemble national shrines) 2:32
4. "The Tennessee Toad" (Who made an epic journey from Ohio to Tennessee) 2:40
5. "Busted Bicycle" (Reluctance) 2:48
6. "The Brain of the Purple Mountain" (From A.L. Tennyson) 2:11
7. "Coolidge Rising" (While rising from the sink, cupboard doors opened and engulfed his head; while turning to the right to avoid the whole incident he walked into a refrigerator — which afforded a good chin rest for staring at some bananas in a basket)
 
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Red Headed Stranger

Willie Nelson

1975 Columbia Records

Amazon.com essential recording

Though this 1975 album cost Willie only $20,000 to record, it handed him the success he'd craved after years as a hit songwriter and modestly successful singer. By blending originals and vintage material, he created a timeless Western saga, one that originally left Columbia Records, who'd guaranteed him artistic control, skeptical. The label's doubts, amplified by the fact that Nelson had recorded the album in Texas with only his seven-piece touring band, evaporated after the album and two singles, "Blue Eyes Crying in the Rain" and "Remember Me," became huge hits and launched Willie into the stratosphere. This enhanced version preserves the original sequence, adding four bonus tracks. One, a brief snippet of Bach's "Minuet in G" from the 1986 Red Headed Stranger film, is inconsequential. Three more, from the 1975 sessions, are enjoyable covers of Hank Williams's "I Can't Help It If I'm Still in Love with You," Bob Wills's "A Maiden's Prayer," and Pee Wee King's "Bonaparte's Retreat," footnotes to the original but welcome nonetheless. --Rich Kienzle

Side One

1. Time of the Preacher Willie Nelson 2:26
2. I Couldn't Believe It Was True Eddy Arnold, Wally Fowler 1:32
3. Time of the Preacher Theme Willie Nelson 1:13
4. Medley: Blue Rock Montana/Red Headed Stranger Nelson, Carl Stutz, Edith Lindeman 1:36
5. Blue Eyes Crying in the Rain Fred Rose 2:21
6. Red Headed Stranger Carl Stutz, Edith Lindeman 4:00
7. Time of the Preacher Theme Willie Nelson 0:53

Side Two

1. Just as I Am Willie Nelson 0:26
2. Denver Willie Nelson 1:47
3. O'er the Waves Juventino Rosas, arranged by Willie Nelson 0:47
4. Down Yonder L. Wolfe Gilbert 1:56
5. Can I Sleep in Your Arms Hank Cochran 5:24
6. Remember Me Scotty Wiseman 2:52
7. Hands on the Wheel Bill Callery 4:22
8. Bandera Willie Nelson 2:19
 
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