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Louisiana Legends -- CD

The Dukes of Dixieland with Special Guest Luther Kent

2003 Leisure Jazz

The 2003 version of the Dukes of Dixieland is one of the strongest since the death of Frank and Fred Assunto in the 1970s. The band has the potential to break out any time with forceful and exciting Dixieland and the group's soloists, particularly clarinetist Earl Bonie, trombonist Ben Smith and trumpeter Mike Fulton, are excellent. This particular outing is a bit of a mixed bag. All of the songs are supposedly either written by New Orleans performers or made famous by players from the Crescent City, although it is difficult to put Fats Waller's "Latch On" in that category. Luther Kent takes several good-time vocals, usually on the more R&B-oriented pieces. The Dukes switch comfortably between New Orleans R&B and hot jazz so this is not a set for Dixieland purists. However there are plenty of hot moments along the way with the highlights including "Dukes Stomp," "Somebody Stole My Gal," an inventive reworking of "Snake Rag" and "Ory's Creole Trombone." ~ Scott Yanow

Track Listing
1. Go to the Mardi Gras
2. Tin Roof Blues
3. Blueberry Hill
4. Latch On
5. Petit Fleur
6. Louisiana
7. Jungle Blues
8. Dukes Ramble
9. Somebody Stole My Gal
10. What a Wonderful World
11. Do You Know What It Means to Miss New Orleans
12. Snake Rag
13. Ory's Creole Trombone
14. Shake, Rattle, And Roll
15. Louisiana 1927
16. Sick and Tired
 
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The Big Easy - Soundtrack - CD

Various Artists

1987 Antilles Records

A lay person's "professional" review
: July 26, 2003
By R. Epstein
Format:Audio CD

The purpose of any review is to say why a CD/movie/book is good or bad, not saying something like "don't waste your time" because "I, a person with 'credentials' says so" (oh, the arrogance of some folks!). As a person without "credentials" but with great taste in music and common sense regarding the rules of professional criticism, I would like to state why I happen to think this CD is good.

A) Because it covers a euphonious, rhythmical landscape filled with a wide range of music (and eras), including R&B, Cajun, Zydeco and Gospel. That makes it interesting and flavorful, as well as good listening for those who are fans of those musical genres. B) The music was picked by the filmmaker to create certain moods for certain scenes. So while some of the songs aren't necessarily the best overall representations for those kinds of music, they do have a strong impact of their own for anyone who has seen the film. It goes without saying, if you liked the film, you'll love the music because now you'll be able to get up and dance (well, I originally saw this in a cinema, so I had to contain myself at the time!). C) There are some GREAT songs here, especially the ones by The Swann Silvertones, Beausoleil, Buckwheat Zydeco and yes, Aaron Neville, whose interpretation of "Tell It Like It Is" is among the most beautiful soul ballads ever recorded. It makes my heart quiver! What more can I say?

It is a shame that St. Augustine's Marching Hundred didn't make the album, nor did the king of zydeco, Clifton Chernier, but this CD still offers one a great blend of staying-up-late music; either for partying, or for musing over the blues.

1. Iko Iko - The Dixie Cups
2. Tipitina - Professor Longhair
3. Ma 'Tit Fille - Buckwheat Zydeco
4. Colinda - Zachary Richard
5. Tell It Like It Is - Aaron Neville & The Neville Brothers
6. Zydeco Gris Gris - Beausoleil
7. Oh Yeh Yai - Terrance Simien & The Mallet Playboys
8. Hey Hey (Indians Comin') - The Wild Tchoupitoulas
9. Closer To You - Dennis Quaid
10. Saviour, Pass Me Not - The Swan Silvertones
11. Buck's Nouvelle Jole Blon - Buckwheat Zydeco & Ils Sont Partis Band
12. Pine Grove Blues - Dewey Balfa
 
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Goin' Back To New Orleans -- CD

Dr. John

1992/2008 Rhino Flashback

Amazon.com essential recording

Goin' Back traces a century of Crescent City musical history, starting in the mid-19th century with Louis Moreau Gottschalk, a classical composer influenced by the African chants and slave dances he witnessed in New Orleans' Congo Square. With support from some of the city's most prominent musical pioneers (including Danny Barker, Pete Fountain, and the Neville Brothers), Dr. John breathes new life into the work of Jelly Roll Morton, Louis Armstrong, James Booker, Professor Longhair, Fats Domino, Smiley Lewis, and Huey Piano Smith. From early jazz to junkie blues, Goin' Back covers it all, ranging from well-trod standards ("Basin Street Blues," "Careless Love") to otherwise forgotten jewels ("I Thought I Heard Buddy Bolden Say," "How Come My Dog Don't Bark"). What's most remarkable is how utterly alive and timeless it sounds. --Keith Moerer

"Litenie des Saints" - 4:44
"Careless Love" - 4:10
"My Indian Red" - 4:47
"Milneburg Joys" - 2:39
"I Thought I Heard Buddy Bolden Say" - 2:29
"Basin Street Blues" - 4:27
"Didn't He Ramble" - 3:28
"Do You Call That a Buddy?" - 3:54
"How Come My Dog Don't Bark (When You Come Around)" - 4:09
"Goodnight Irene" - 4:11
"Fess Up" - 3:12
"Since I Fell for You" - 3:32
"You Rascal You" - 3:25
"Cabbage Head" - 3:59
"Goin' Home Tomorrow" - 3:01
"Blue Monday" - 3:01
"Scald Dog Medley/I Can't Go On" - 2:58
"Goin' Back to New Orleans" - 4:08
 
Today's work truck music....


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Eric Clapton -- CD

Eric Clapton

1970/1990 Polydor Records

A Different Flavor, January 7, 2001
By G. J Wiener (Westchester, NY USA) - See all my reviews
(TOP 500 REVIEWER) (REAL NAME)
This review is from: Eric Clapton (Audio CD)

This debut Eric Clapton has some blues rock but deviates into other styles. Easy Now is one pretty acoustic ballad and Eric gives one of his best vocal performances. The lyrics are pretty hip with the time it was recorded too. The female background vocalists add a special touch on several tracks most notably Lonesome andBottle Of Red Wine. However the real meat and potatoes songs are Blues Power, Bad Boy, After Midnight, and Let It Rain. They really rock with a passion as Eric's vocals really touch the soul. Do not overlook this recording.

All selections written by Delaney Bramlett, Bonnie Bramlett and Eric Clapton, except as indicated.

Side one

"Slunky" – 3:34
"Bad Boy" – 3:34
"Lonesome and a Long Way from Home" (Delaney Bramlett, Bonnie Bramlett, Leon Russell) – 3:29
"After Midnight" (J. J. Cale) – 2:51
"Easy Now" (Clapton) – 2:57
"Blues Power" (Clapton, Russell) – 3:09

Side two

"Bottle of Red Wine" – 3:06
"Lovin' You Lovin' Me" – 3:19
"Told You For the Last Time" (Delaney Bramlett, Bonnie Bramlett, Steve Cropper) – 2:30
"Don't Know Why" – 3:10[4]
"Let It Rain" – 5:02
 
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Back In The High Life -- CD

Steve Winwood

1986 Island Records

Smash album deserves its Grammys and its worldwide success, May 21, 2000
By Don Nunn (Seattle, WA) - See all my reviews
This review is from: Back in the High Life (Audio CD)

This was the album that cemented my admiration for Steve Winwood. It was the album that introducted me to Winwood's solo work, as "Higher Love" and "Back In The High Life Again" each hit the Top Ten in the U.S.

The tracks fit well together, and each track is a work of art by itself. This album was a worldwide smash and cemented Winwood's position among the great solo artists, and is among my favorite albums by any artist. Winwood received a total of three Grammys for this album, each well-deserved.

If you decide to sample just one of Winwood's solo albums, this is the one to try. It's definitely a mainstream work, unlike Winwood's earlier solo albums, which were more showcases of Winwood's engineering talent. Those albums are great too, but this one best defines his solo career, the mix of talent and hard work that makes him a success.

All songs written by Steve Winwood and Will Jennings except where noted

"Higher Love" – 5:45
"Take It as It Comes" – 5:20
"Freedom Overspill" – 5:33 (Winwood, George Fleming, James Hooker)
"Back in the High Life Again " – 5:33
"The Finer Things" – 5:47
"Wake Me Up on Judgment Day" – 5:48
"Split Decision" – 5:58 (Winwood, Joe Walsh)
"My Love's Leavin'" – 5:19 (Winwood, Viv Stanshall)
 
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By The Time I Get To Phoenix -- Remastered CD

Glen Campbell

1967/2001 Capitol Cornerstone Series

Forgotten Grammy Winner, July 1, 2001
By Dave Blank "parabolamcfeeney" (West Hollywood, CA United States) - See all my reviews
(REAL NAME)
This review is from: By the Time I Get to Phoenix (Audio CD)

Of the 43 collections that have won the Grammy for Album of the Year, this is probably the most underrated. While most people remember the phenomenally successful title cut (written by Jimmy Webb), the album itself seems to be all but forgotten. While other higher profile albums such as the Beatles Magical Mystery Tour and Simon & Garfunkel's Bookends were also nominated the same year (1968), it was this unpretentious catalogue of songs that won the coveted prize. It was certainly Glen Campbell's finest studio recording, and he sings each song with his unique brand of conviction and wistfulness. While the showpiece is the much-loved ballad "By the Time I Get to Phoenix", it is the lesser known songs such as "I'll Be Lucky Someday", "Tomorrow Never Comes" and "You're Young and You'll Forget" that give this album its resonance and poignancy. Most of the songs are laced with tinges of regret, but this album is anything but a downer, primarily because of the bittersweet yearning of Campbell's vocals and the spare but melodic arrangements (by, among others, Al de Lory and Jimmie Haskell). When talking about music in that turbulent year of 1968, one readily thinks of Hendrix, the Doors, the Stones, the Beatles (of course), Aretha Franklin, Otis Redding, even music from The Graduate and Hair. Glen Campbell wouldn't be placed on most people's list of memorable music of that era. True, he wasn't a rock artist, but his contribution to music is just as important---providing a bridge (and, some might argue, a balm) between the easy listening (and more sentimental leanings) of contemporaries such as Bobby Goldsboro and O.C. Smith, and the rebellious, harder edges of the rock music so prevalent then. No question, Campbell was beloved by his music industry peers (or at least those who were Grammy voters) because of his soothing voice, his lack of cynicism and his cleancut image. Seen from that perspective and that he was a well-respected session player (playing with the Beach Boys and Sinatra, among his impressive credits) who also had the strong backing of the Nashville contingent of voters, it seems justifiable, in retrospect, that this collection won Album of the Year. That alone should be reason enough for Capitol to re-release this album on CD. It's also excellent on its own terms---even if it is not as well remembered as Carole King's Tapestry, Simon and Garfunkel's Bridge Over Troubled Water or Sgt. Pepper's--three other Grammy winners from that era that are undeniablly considered classics, and all easily found on CD even now.

Side 1:

"By the Time I Get to Phoenix" (Jimmy Webb) - 2:42
"Homeward Bound" (Paul Simon) - 2:37
"Tomorrow Never Comes" (Ernest Tubb, Johnny Bond) -2:27
"Cold December (In Your Heart" (Alex Hassilev) - 2:27
"My Baby's Gone" (Hazel Houser) - 2:50
"Back in the Race" (Glen Campbell, Vic Dana) - 1:56

Side 2:

"Hey Little One" (Dorsey Burnette, Barry De Vorzon) - 2:30
"Bad Seed" (Bill Anderson) - 2:18
"I'll Be Lucky Someday" (Lee Martin, Dick McBride, Bob Wills) - 2:24
"You're Young and You'll Forget" (Jerry Reed) - 2:15
"Love is a Lonesome River" (Glen Campbell, Kella Christian) - 2:05
 
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Glen Campbell is playing at one of the Outdoor Concert series in one of the local cities this summer, I may end up going even if its by myself. Although its not my kind of music, I've always loved the way he performs songs; Wichita Lineman is an all-time favorite. He's on his "farewell" tour (he has Alzheimer's) and it'd be my last chance...
 
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Daylight Again -- CD

Crosby, Stills & Nash

1982 Atlantic Records

Amazon.com

In 1982, there were few groups as out of phase as CSN. Their supergroup status once lionized in the late '60s and early '70s had turned into liability. Viewed as fossils by the emerging MTV generation, they steadfastly stood with their heartfelt idealistic politics on their sleeve. Produced by El Lay producer extraordinaire Craig Doerge (known mostly for adding synthesizer to the work of Jackson Browne among others) and Stanley Johnson, Daylight Again features several noteworthy songs. "Wasted on the Way," "Southern Cross," and "Into the Darkness" are among the more substantial contributions from these musicians struggling to find their place in a world clearly getting away from them. --Rob O'Connor

1. "Turn Your Back On Love" (Stills, Nash, Michael Stergis) – 4:51
2. "Wasted on the Way" (Nash) – 2:52
3. "Southern Cross" (Stills, Richard Curtis, Michael Curtis) – 4:41
4. "Into The Darkness" (Nash) – 3:23
5. "Delta" (Crosby) – 4:15
6. "Since I Met You" (Stills, Stergis) – 3:12
7. "Too Much Love To Hide" (Stills, Gerry Tolman) – 3:58
8. "Song For Susan" (Nash) – 3:08
9. "You Are Alive" (Stills, Stergis) – 3:04
10. "Might As Well Have A Good Time" (Lyrics by Judy Henske, Music by Craig Doerge) – 4:28
11. "Daylight Again: (a) Daylight Again (b) Find The Cost Of Freedom" (Stills) – 2:36
 
Botch said:
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Glen Campbell is playing at one of the Outdoor Concert series in one of the local cities this summer, I may end up going even if its by myself. Although its not my kind of music, I've always loved the way he performs songs; Wichita Lineman is an all-time favorite. He's on his "farewell" tour (he has Alzheimer's) and it'd be my last chance...

Yeah, this would be your last chance. I grew up with my Mom playing Glen's albums and watching his show on T.V., it's like he's just always been in my life. Same thing with Johnny Cash. It's sad we're losing them, but they left quite a legacy behind that we get to enjoy... forever! :handgestures-thumbup:

Glen may not of been the best, but he's "entertained" me for decades. Priceless! :bow-blue:


Dennie
 
My last one for the evening....


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French Kiss -- CD

Bob Welch

1977/1992 Capitol/CEMA Records

Takes me back to 1978, May 11, 2004
By Jamey Key (Dallas, TX USA) - See all my reviews
(REAL NAME)
This review is from: French Kiss (Audio CD)

I remember French Kiss as being one of the few albums you could listen to all the way through. As another reviewer said, there is a sameness to all of the songs but that may be one of the things that makes the album so enjoyable. The best time to play this cd? On a lonely road trip in the middle of the night. It's a mellow, moody, middle of the night piece of music - that rocks!

All songs written by Bob Welch except "Hot Love, Cold World" by Bob Welch and John Henning, and "Outskirts" by Bob Welch and John Carter.

"Sentimental Lady" - 2:52
"Easy to Fall" - 3:31
"Hot Love, Cold World" - 3:39
"Mystery Train" - 3:07
"Lose My Heart" - 1:55
"Outskirts" - 3:19
"Ebony Eyes" - 3:33
"Lose Your..." - 0:45
"Carolene" - 3:13
"Dancin' Eyes" - 3:20
"Danchiva" - 3:15
"Lose Your Heart" - 3:16


Bob Welch - vocals, guitar, bass guitar
Alvin Taylor - drums (except track 1)
Mick Fleetwood - drums on track 1
Christine McVie - background vocals on tracks 1, 2 and 12
Lindsey Buckingham - guitar and background vocals on track 1
Gene Page - string arrangements
 
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Highwayman -- CD

Waylon Jennings, Willie Nelson, Johnny Cash & Kris Kristofferson

1985 Columbia Records

Amazon.com

The myth of the American West--lawless lands, resolute heroes--takes on a grave, elegiac quality on this first, and best, collaboration from Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson. There's little bravado here, just a sense of ticking time, of frontiers lost, cowboys singing their last songs. In the end, Highwayman works because it fuses mythic, serious material with the artists' own legendary personas and well-aged voices. Lesser lights would be lucky to muddle through Jimmy Webb's epic title track; these four cagey desperados make every fantastic image believable. If Chips Moman surrounds them with less than subtle layers of guitars, keyboards, and drums, he does update vintage progressive country in a suitably cosmic but rugged fashion. Romantic legends and production values notwithstanding, it's the tough, wise singing here that's the real draw. --Roy Kasten

1. Highwayman - The Highwaymen, Webb, Jimmy
2. The Last Cowboy Song - The Highwaymen, Bruce, Ed
3. Jim, I Wore a Tie Today - The Highwaymen, Walker, Cindy
4. Big River - The Highwaymen, Cash, Johnny
5. Committed to Parkview - The Highwaymen, Cash, Johnny
6. Desperados Waiting for a Train - The Highwaymen, Clark, Guy
7. Deportee (Plane Wreck at Los Gatos) - The Highwaymen, Guthrie, Woody
8. Welfare Line - The Highwaymen, Kennerley, Paul
9. Against the Wind - The Highwaymen, Seger, Bob
10. The Twentieth Century Is Almost Over - The Highwaymen
 
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The Very Tall Band -- LIVE -- CD

Oscar Peterson - Ray Brown - Milt Jackson

1999 Telarc Jazz

A great live album August 7, 2001
By Gilly Bean
Format:Audio CD

This 1998 recording finds OP once again reunited with Ray Brown and Milt Jackson. Also joining them is drummer Karriem Riggins, from Ray Brown's trio. It must have been wonderful to have been in the audience at the Blue Note during this recording session. I have seen OP on a concert stage before, but to hear him in an intimate setting like a jazz club must be the experience of a life time. Not to mention Milt and Ray. And so, for those of us who were not fortunate enough to be there, this then is the next best thing. The sound is awesome, and if you turn down the lights and close your eyes..with a little imagination you will be there at the Blue Note.

Track Listing
1. Ja-Da - Ray Brown
2. S.K.J. - Ray Brown
3. I Remember Clifford - Ray Brown
4. When Summer Comes - Ray Brown
5. Blues for Junior - Ray Brown
6. Nature Boy - Ray Brown
7. Sometimes I'm Happy - Ray Brown
8. Bass Solo Medley: Full Moon And Empty Arms/The Very Thought Of You/The - Ray Brown
9. Caravan - Ray Brown
 
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Midnight Stroll -- CD

Robart Cray Band featuring The Memphis Horns

1990 Mercury Records

Amazon.com essential recording

Robert Cray adds a bit more soul to the mix on this album, which features the Memphis Horns most prominently. Most of the songs are Cray doing what Cray does best--slow, soulful, done-me-wrong (or, alternatively, I-done-wrong) songs chock full of great guitar. No complaints there, and when he adds a bit of vocal growl here and there, as on the album opener "The Forecast (Calls for Pain)" (also featuring some excellent bass from Richard Cousins), and the slow shuffle "Holdin' Court," it keeps things interesting. This album indicates a slight shift in Cray's direction; although he's always included a touch of soul in his blues, here it's more pronounced than before, a tendency he continued in subsequent recordings. --Genevieve Williams

Track Listing
1. Forecast Calls For Pain, The
2. These Things
3. My Problem
4. Labor of Love
5. Bouncin' Back
6. Consequences
7. Things You Do to Me, The
8. Walk Around Time
9. Move a Mountain
10. Holdin' Court
11. Midnight Stroll
 
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California -- CD

Wilson Philips

2004 Columbia Records

As the offspring of 1960s California pop royalty (Beach Boy Brian Wilson, Mamas & Papas' John and Michelle Phillips), female vocal trio Wilson Phillips seems uniquely qualified to turn out a comeback album (after 12 years of silence) featuring covers of L.A.-centric hits from the '60s and '70s. Linda Ronstadt's "You're No Good" is ripe for revival, and here it gets a bit of a pumped-up Britney Spears-style treatment. Neil Young's "Old Man" is also the recipient of techno-friendly modernization. The trio's take on the Eagles' "Already Gone" sounds like a natural fit for contemporary-country radio.Unsurprisingly, the most faithful renditions are the strongest--Joni Mitchell's title cut and the Youngbloods' pacific anthem "Get Together." The girls dig into the catalogs of their parents too, for a "Monday, Monday" that owes more to Sheryl Crow than to the Mamas & the Papas, and a zesty romp through the Beach Boys' "Dance, Dance, Dance." The most affecting moment on CALIFORNIA, though, is the closing track, where Brian Wilson joins his daughters and their pal for a piano-and-vocal version of his classic "In My Room."

1. You're No Good
2. Old Man
3. California
4. Already Gone
5. Go Your Own Way
6. Turn! Turn! Turn! (To Everything There Is a Season)
7. Monday Monday
8. Get Together
9. Doctor My Eyes
10. Dance Dance Dance
11. In My Room
 
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This Old Road -- CD

Kris Kristofferson

2004 New West Records

Though Kris Kristofferson blazed important trails in songwriting history early in his career (who else do you know who's been covered by Janis Joplin, Johnny Cash, and Al Green?), his latter-day creative endeavors leaned more toward acting than songwriting. His first studio album of the 21st century, THIS OLD ROAD, was also his first batch of new songs in 11 years. Veteran producer Don Was tries to do for Kristofferson what Rick Rubin did for Kris's buddy Johnny Cash in the '90s, presenting his rough-hewn voice in an appropriately raw acoustic setting. For a lesser songwriter, this gambit might have fallen flat, but Kristofferson's material is as strong and sharp here as anything he'd done in decades. He's as feisty as ever, name-checking the iconoclastic likes of Steve Earle and John Trudell, and voicing his anti-war sentiments without ever resorting to pedantry. Ultimately, his leathery, lived-in voice meshes perfectly with the unassuming production to frame a set of songs that's simultaneously personal and universal--one of the toughest tricks in songwriting, and one of the most rewarding when it works. On THIS OLD ROAD it works big-time.

Track Listing
1. This Old Road
2. Pilgrim's Progress
3. Last Thing to Go, The
4. Wild American
5. In the News
6. Burden of Freedom, The
7. Chase the Feeling
8. Holy Creation
9. Show Goes On, The
10. Thank You for a Life
11. Final Attraction
 
My last one for the evening.....


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Children Running Through -- CD

Patty Griffin

2007 ATO Records

Amazon.com

On her fifth studio CD, folk-rocker Patty Griffin employs three timeless themes--childhood, flight, and death--to craft her most musically diverse and accessible album yet. But while moving through jazz, beatnik, classic and modern folk, gospel R&B, Americana, and moody piano ballad, Griffin keeps her backing quiet and spare, all the more to showcase the power of her deft storytelling and the bell clarity of her unadorned soprano. On song after song, the characters who waft through her experience are on the move, chasing one thing and fleeing another--on trains, ships, buses, in cars, even on the aerialist's bar--ultimately trading an ending of one kind for a new beginning and transference. Sometimes--as on the Rickie Lee Jones-ish "Stay on the Ride," where an old man with no name answers an existential urge for going--they don't even know what it is. "Trapeze," the most resonant offering, follows an aging circus performer who'd rather work without a net than take her chances in love. Here, Emmylou Harris adds one of her most aching harmony lines to Griffin's exquisite, ethereal lead, while in the next track, "Getting Ready," the singer turns a 180, laying a sneering Dylanesque vocal over a fiercely scrubbed acoustic guitar and an occasional dissonant kiss-off. "Baby, baby, you were my drug/And I was just your cigarette," she drones knowingly. One suspects that particular object of her affections will soon regret it. --Alanna Nash

1. You'll Remember
2. Stay On The Ride
3. Trapeze
4. Getting Ready
5. Burgundy Shoes
6. Heavenly Day
7. No Bad News
8. Railroad Wings
9. Up To The Mountains (MLK Song)
10. I Don't Ever Give Up
11. Someone Else's Tomorrow
12. Crying Over
 
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Good Job on this one!! :music-rockout: :music-rockout:

1. "Caravan" 5:40
2. "BU2B" 5:10
3. "Clockwork Angels" 7:31
4. "The Anarchist" 6:52
5. "Carnies" 4:52
6. "Halo Effect" 3:14
7. "Seven Cities of Gold" 6:32
8. "The Wreckers" 5:01
9. "Headlong Flight" 7:20
10. "BU2B2" 1:28
11. "Wish Them Well" 5:25
12. "The Garden" 6:59
Total length:
1:06:04
 
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