What Are You Listening To?

[Dennie]

MotherShip -- Remastered 2 CD Set

Led Zeppelin

2007 Atlantic Records

Amazon.com

For years, as playlists and multidisc players put Led Zeppelin tracks into a mix, there was a perpetual need to adjust the volume when Zep came on. Their tunes languished in the haze of substandard remastering--until now, at least for the 24 tracks on Mothership and the final fullness of the new Song Remains the Same reissue. For its part, Mothership's crisper, warmer audio owes its heft to the troika of Robert Plant, Jimmy Page and John Paul Jones, who helped oversee the mastering, bringing out untold shades even in the throes of "Heartbreaker" and the sinews of "No Quarter." It's an impressive sonic leap. Where tinny high-ends and muffled lows used to co-exist, fatter and louder depths prevail. It's ever more astonishing that Zep got on with just four blokes. You can quibble with the 24 tracks here (where's "The Ocean"?), but the band picked each track here, from the stone-cold locks ("Communication Breakdown" and "Stairway to Heaven," no, duh) to the robust throb of "When the Levee Breaks." As for "The Ocean," you can find that in fantastically full form, along with five other gems on the newly remastered Song Remains the Same, which shows up for 2007's holiday season on DVD, too. Only rarely have four lads from England made so memorable an auditory and visual blast. --Andrew Bartlett

Disc one

1. "Good Times Bad Times" (from Led Zeppelin, 1969) 2:48
2. "Communication Breakdown" (from Led Zeppelin, 1969) 2:30
3. "Dazed and Confused" (from Led Zeppelin, 1969) Page 6:27
4. "Babe I'm Gonna Leave You" (from Led Zeppelin, 1969) Bredon, Page, Plant 6:42
5. "Whole Lotta Love" (from Led Zeppelin II, 1969) with Dixon, Plant 5:34
6. "Ramble On" (from Led Zeppelin II, 1969) Page, Plant 4:24
7. "Heartbreaker" (from Led Zeppelin II, 1969) with Plant 4:14
8. "Immigrant Song" (from Led Zeppelin III, 1970) Page, Plant 2:27
9. "Since I've Been Loving You" (from Led Zeppelin III, 1970) Jones, Page, Plant 7:24
10. "Rock and Roll" (from Led Zeppelin IV, 1971) with Plant 3:41
11. "Black Dog" (from Led Zeppelin IV, 1971) Jones, Page, Plant 4:58
12. "When the Levee Breaks" (from Led Zeppelin IV, 1971) with Plant, Minnie 7:10
13. "Stairway to Heaven" (from Led Zeppelin IV, 1971) Page, Plant 8:02

Disc two

1. "The Song Remains the Same" (from Houses of the Holy, 1973) Page, Plant 5:31
2. "Over the Hills and Far Away" (from Houses of the Holy, 1973) Page, Plant 4:50
3. "D'yer Mak'er" (from Houses of the Holy, 1973) with Plant 4:23
4. "No Quarter" (from Houses of the Holy, 1973) Jones, Page, Plant 7:00
5. "Trampled Under Foot" (from Physical Graffiti, 1975) Jones, Page, Plant 5:36
6. "Houses of the Holy" (from Physical Graffiti, 1975) Page, Plant 4:03
7. "Kashmir" (from Physical Graffiti, 1975) Bonham, Page, Plant 8:31
8. "Nobody's Fault but Mine" (from Presence, 1976) Page, Plant 6:27
9. "Achilles Last Stand" (from Presence, 1976) Page, Plant 10:25
10. "In the Evening" (from In Through the Out Door, 1979) Jones, Page, Plant 6:51
11. "All My Love" (from In Through the Out Door, 1979) Jones, Plant 5:53

 

[Dennie]

Belly of the Sun -- CD

Cassandra Wilson

2002 Blue Note Records

Amazon.com

By now, it's a moot point whether Cassandra Wilson is singing jazz or not. By unifying what were once considered disparate styles and song forms with her languorously rich vocals and offbeat instrumental textures, she has become the queen of her own genre. Largely recorded at a one-time train station in her native Mississippi, Belly of the Sun ranges from country-blues great Fred McDowell's gritty "You Gotta Move" (popularized by the Rolling Stones and here featuring acoustic-guitar wiz Richard Johnston) to Brazilian immortal Antonio Carlos Jobim's winsome "Waters of March" (featuring a children's choir) to a hauntingly feminized version of Jimmy Webb's "Wichita Lineman." Revealing her command of narrative material, Wilson draws seductive meaning from Bob Dylan's "Shelter from the Storm" and the Band's "The Weight." Featuring Kevin Breit and Marvin Sewell on all manner of guitars and related string instruments, Belly of the Sun also boasts three strong Wilson originals, including "Just Another Parade," a jazzy-soulful duet with India Arie, and "Show Me a Love." As her own producer, Wilson comes up with less compelling backgrounds than Craig Street, who produced her darker-tinged breakthrough albums. Still, this is her most seamless, smoothest-flowing, and most effortlessly expansive recording. "I need to feel some rich black soil that's moist between my toes," she sings. You can feel her Southern roots in the grooves as well. --Lloyd Sachs

"The Weight" (Robbie Robertson) – 6:05
"Justice" (Cassandra Wilson) – 5:27
"Darkness on the Delta" (Jay Livingston, Al J. Neiburg, Marty Symes) – 3:47
"Waters of March" (Antonio Carlos Jobim) – 4:26
"You Gotta Move" (Mississippi Fred McDowell) – 2:44
"Only a Dream in Rio" (James Taylor) – 4:32
"Just Another Parade" (Wilson) – 6:05 featuring India.Arie
"Wichita Lineman" (Jimmy Webb) – 5:48
"Shelter From the Storm" (Bob Dylan) – 5:17
"Drunk as Cooter Brown" (Wilson) – 4:58
"Show Me a Love" (Robinson, Wilson) – 3:49
"Road So Clear" (Richmond) – 5:22
"Hot Tamales" (Robert Johnson) – 1:43
"Corcovado" (For Japan only)

There was a promotional version of this album distributed before the album was released that contained 2 extra tracks that were not included on the final release. The promotional copy has "Rock Me Baby" (B. B. King) After "Shelter From The Storm" and before "Cooter Brown" and "Little Lion" after "Cooter Brown" and before "Show Me a Love". The promotional version was a regular pressed and silkscreened disc (not a CD-R) and came in a cardboard sleeve and had no album artwork.

 

[Dennie]

Mostly Blues CD

Lionel Hampton

1999 Jazz Heritage

Lionel and Bobby Define "Deep Groove", December 18, 2005
By Samuel Chell (Kenosha,, WI United States)
(TOP 50 REVIEWER) (REAL NAME)

No doubt this unnoticed, out-of-print session is languishing in scattered CD cut-out bins. But if you find a copy, grab it up--in fact, better make it several. Along with Hamp's fabled "Stardust" Concert (1947) this late Hampton entry deserves a place in anybody's record collection. "Mostly Blues" is a moody, mesmerizing session that hits an uncharacteristic groove for Lionel--more modern than swing era, more simmering than sizzling, more seductive than showy. Hampton goes for a Milt Jackson slow-vibrato sound and lets up on the technique and showmanship. Deserving an equal amount of credit is pianist Bobby Scott, heard here for one of the last times before cancer led to his premature death. He's an exceptional, hard-swinging, "blowing" piano player, and he makes the most of each of his turns, contributing solos that are gritty, incisive, always high-spirited--a perfect complement to the more deliberate and delayed attack of the vibes. And as for his comping, the man's a veritable funk machine, a combination of Horace Silver's chord voicings and Bernard Purdie's infectious beat.

Tracks 4 and 5 are pure "riffin' and groovin'" on E-flat blues. No solos to speak of--just Lionel and Bobby dancing around and with each other, steppin', struttin', and gliding on the smooth floor wax laid down by Bob Cranshaw and Grady Tate. As for the "real" tunes--"Someday My Prince Will Come," "A Train," "Honeysuckle Rose," "Bye Bye Blues," "Limehouse Blues" (neither of the latter technically a blues)--these guys are so steeped in the elemental 12-bar form that even the "standards" sound like basic blues.

Finally, reserve some praise for the recording engineer on this date. Maybe I've simply been listening to too many Rudy Van Gelder recordings lately, but "Mostly Blues" strikes me as exemplary for its acoustic depth and spaciousness. You are literally in the same room with the musicians, positioned close to the vibes and conscious of the location of each player. Even the sound of the bass (both acoustic and electric) is balanced and natural.

This may not be the kind of music that immediately arrests your attention (it's likely to get to your feet before your head), but after playing the CD many times, I can testify that it's simply incapable of wearing out its welcome.

Track listing

1. Bye Bye Blues
2. Someday My Prince Will Come
3. Take the 'A' Train
4. Blues for Jazz Beaux
5. Walkin' Uptown
6. Honeysuckle Rose
7. Mostly Blues
8. Limehouse Blues
9. Gone with the Wind

 

[heeman]

1. War Pigs/Luke's Wall
2. Paranoid
3. Planet Caravan
4. Iron Man
5. Electric Funeral
6. Hand Of Doom
7. Rat Salad
8. Jack The Stripper/Fairies Wear Boots

:music-rockout: :music-rockout: :music-rockout:

 

[mzpro5]

Though I am currently listening to the CD I do have a vinyl copy that looks like this.

Man this takes me back. Days in a haze.

 

[Dennie]

East River Drive -- CD

Stanley Clarke

1993 Epic Records

Lord of the Low Frequencies, March 8, 2003
By Russell Diederich (Littleton, CO United States) - See all my reviews
(VINE VOICE)

Not many people can step out and make the bass the front instrument, but Stanley Clarke sure can. Clarke composes most of his songs with a smooth jazz feel that builds around the bass like many musicians build their music around a guitar, trumpet or sax. His unique style of snapping the strings against the fretboard gives him his signature sound. Although there is no "School Days" track on this album, it is a good listen, smooth.

"East River Drive" shows off Clarke's smooth jazz composing abilities. His bass leads us through the song with a good solo by George Howard on sax. The other extreme is "Funk Is Its Own Reward" where Clarke gets, well, funky. His long time collaborator, George Duke, sits in for this upbeat tune. This should get your feet taping with a cool groove, and some impressive string snapping, slapping and sliding. "I'm Home Africa" is another upbeat tune, with a great solo from saxophonist Doug Webb. Clarke can really romance it up with slow tunes as well like, "What If I Forget the Champagne". And the tunes "Illegal" and "Lords of the Low Frequencies" are a base workout.

Ever since I saw Clarke perform "School Days" with Larry Coryell on guitar, he has been one of my favorites. He has helped move me over into the Jazz world with his incredible musicianship. This album, like "Hideaway", is smoother than his stuff from the seventies. It's still a great album, with great playing, just a little different. It still doesn't top my favorite album by him, "Stanley Clarke and Friends, Live at the Greek" with Larry Carlton, Billy Cobham, Deron Johnson, and Najee.

1. Justice's Groove
2. Fantasy Love
3. Zabadoobeedé ? (Yabadoobeeda)
4. East River Drive
5. I'm Home Africa
6. Theme from Boyz N the Hood
7. Christmas in Rio
8. What If I Forget the Champagne
9. Never Lose Your Heart/There Lies the Passion
10. Illegal
11. "Lord of the Low Frequencies"
12. Funk Is Its Own Reward

 

[Dennie]

Where Have I Known You Before -- CD

Return To Forever featuring Chick Corea

1974 Polydor Records (Import West Germany)

Brilliant, March 31, 2004
By Howie "tomas" (United States) - See all my reviews
(REAL NAME)
This review is from: Where Have I Known You Before (Audio CD)
-

This is one of those albums that just seems to have been laying there forever, to be discovered by a group of talented musicians. It almost flows from the musicians on it own accord; they seem as surprised and inspired in playing as we are listening.

The whole band - Chick, Al DiMeola, Stanley Clark, Lenny White - are phenoms. Their skill is stratospheric. To me, as a drummer, Lenny's performance here is magical.

Remember, this album came out in the same period as John McLaughlin's most famous works - BIRDS OF FIRE and INNER MOUNTING FLAME - so these guys were feeding off of each other (much like Paul McCartney and Brian Williams were).

This album is one of the Fusion pioneer albums. The genre didn't exist before RTF and McLaughlin. It quickly sunk under its own weight with all the copycat bands, while the founding fathers moved on to better things.

I saw RTF on tour for this album; third row front; right in front of Lenny (I could see his kick drum foot working - he had on these platform shoes, playing heel-down). It was a fabulous show, even better than the album (I remember Stanley turning to Lenny and giving him the "easy, dude" hand sign: Lenny was just a monster, in his own world!).

If you buy only ONE Corea album, or even only ONE Fusion album, this is the one!

"Vulcan Worlds" (Clarke) – 7:51
"Where Have I Loved You Before" (Corea) – 1:02
"The Shadow of Lo" (White) – 7:32
"Where Have I Danced with You Before" (Corea) – 1:14
"Beyond the Seventh Galaxy" (Corea) – 3:13
"Earth Juice" (Corea, Clarke, White, Di Meola) – 3:46
"Where Have I Known You Before" (Corea) – 2:20
"Song to the Pharaoh Kings" (Corea)* – 14:21

*There is a typo on all original releases: Pharoah - corrected on the 2008 Anthology: Pharaoh

My copy has the "typo". :scared-yipes:

 

[Dennie]

Parallel Realities -- CD

Jack Dejohnette

1998 MCA Records

This 1990 release is one of DeJohnette's finest. A trio recording, PARALLEL REALITIES showcases the talents of Herbie Hancock and Pat Metheny, as well as the highly acclaimed drummer. All three of these players should require no formal introduction to jazz aficionados. However, first time listeners will be impressed by the playing ability of these three jazz icons. Tracks such as "Jack In" and "Dancing" display, strikingly, the improvisational skill of these three performers. On the latter, Hancock and Metheny solo, employing both a lyrical sensitivity, and a superlative ability to navigate their way around complex chord progressions; use of fast flourishes and melodic whispers dot their elegant performances.
Surprisingly, the lack of bass does not affect the feel of the music. DeJohnette plays keyboard bass to add bottom, as it were, to the sound. He also layers additional keyboards adding texture and timbral variety to the music. Along different lines, DeJohnette's drumming is less active than usual. However, he never comes across bland or restrained, simply naturally relaxed and introspective. Sometimes understated, sometimes forthright, this album is as intriguing as it is virtuosic.

Track listing

Jack In 6:23
Exotic Isles 6:21
Dancing 7:40
Nine Over Reggae 7:27
John McKee 8:12
Indigo Dreamscapes 6:46
Parallel Realities 11:10

Musicians

Drums, Producer - Jack DeJohnette
Guitar, Acoustic Guitar, Synthesizer [Synclavier], Producer - Pat Metheny
Keyboards [Additional], Saxophone - Herbie Hancock (tracks: 7)
Keyboards [Keyboard Bass] - Pat Metheny (tracks: 5, 7)
Piano - Herbie Hancock

 

[heeman]

1. "A Change Is Gonna Come" Sam Cooke 3:55
2. "I Can't Stand The Rain" Ann Peebles, Don Bryant, Bernard Miller 3:35
3. "It's A Man's Man's Man's World" James Brown, Betty Jean Newsome 3:53
4. "Here I Am (Come And Take Me)" Al Green, Mabon Hodges 4:10
5. "I've Been Loving You Too Long" Otis Redding, Jerry Butler 3:08
6. "It's Alright" Curtis Mayfield 3:47
7. "If You Don't Know Me By Now" Kenneth Gamble, Leon Huff 3:50
8. "Knock On Wood" Eddie Floyd, Steve Cropper 3:22
9. "I'm Still In Love With You" Al Green, Willie Mitchell, Al Jackson Jr. 4:37
10. "Free" Henry Redd, Susaye Green, Nathan Watts, Deniece Williams 3:27
11. "Stand By Me" Ben E. King, Jerry Leiber, Mike Stoller 4:06
12. "People Get Ready" Curtis Mayfield 3:35

 

[Dennie]

Trio '65 -- CD

Bill Evans Trio

1965/1993 Verve Records

Amazon.com

In the mid-1960s Bill Evans was involved in numerous recording projects, from film soundtrack work and playing with a symphony orchestra to duets with guitarist Jim Hall and solo and multitracked piano. As a result, he spent very little time in the studio with one of his finest working units, the trio with bassist Chuck Israels and drummer Larry Bunker. Each of Evans's trios found a different balance of elements, usually hinging on the pianist's musical relationship with his bass player. Israels is less given to virtuoso flights and aggressive countermelody than Scott LaFaro or Eddie Gomez, instead picking his notes for maximal harmonic and melodic effect, while maintaining a secure time feel. His style provides a different focus for the pianist, less reactive and more continuous, and it emphasizes Evans's capacity for rhythmically aggressive, boppish playing. John Carisi's "Israel," a tune dating from Miles Davis's Birth of the Cool, has Evans fastening on the rhythmic undercurrent generated by Israels and Bunker, and it continues with his linear approach to the solo on his own "Elsa." With familiar musicians and tunes, Evans produces one of his most relaxed and sustained recordings of the period. --Stuart Broomer

"Israel" (Carisi) – 4:49
"Elsa" (Earl Zindars) – 4:22
"'Round Midnight" (Thelonious Monk, Cootie Williams) – 6:42
"Our Love Is Here to Stay" (George Gershwin, Ira Gershwin) – 4:02
"How My Heart Sings" (Zindars) – 2:49
"Who Can I Turn To?" (Leslie Bricusse, Anthony Newley) – 4:53
"Come Rain or Come Shine" (Harold Arlen, Johnny Mercer) – 5:26
"If You Could See Me Now" (Dameron, Sigman) – 4:47


Bill Evans – piano, keyboards
Larry Bunker – drums
Chuck Israels – bass

 

[Dennie]

Quiet Now - Body And Soul -- CD

Stan Getz

2000 Verve Records

The Stan Getz volume in Verve's Quiet Now series is a stellar collection of ballads from the '50s and '60s when Getz and his bands led jazz polls continually. His bossa material, which is his best known, is represented here by three cuts -- and no, "Girl from Ipanema" is not one of them -- including "Corcovado." That said, it's his interpretations of standards such as "Little Girl Blue," "It Never Entered My Mind," "Sweet Rain," and "Serenade in Blue" that the great tenorman's true lyrical gift comes into play. Getz, who had all the chops to burn down the barn, is heard here in the shining light of restraint, where his airy tone drenched in fluid blues offers a poet's sense of gentility and elegance. This is one of the finest collections in the entire Verve series and paints a vivid portrait of the artist as a melodist of the highest ability. ~ Thom Jurek

Track listing

1. Body and Soul
2. Detour Ahead - (featuring Oscar Peterson)
3. It Never Entered My Mind
4. Corcovado (Quiet Nights of Quiet Stars)
5. Alfie
6. Sweet Rain - (featuring Chick Corea)
7. Melinda - (featuring Bill Evans)
8. O Grande Amor - (featuring Joao Gilberto/Antonio Carlos Jobim)
9. Early Autumn
10. Here's That Rainy Day
11. Serenade in Blue
12. I Remember When
13. Thanks for the Memory
14. Little Girl Blue
15. Insensatez (How Insensitive) - (featuring Antonio Carlos Jobim)

Personnel includes: Stan Getz (tenor saxophone); Joao Gilberto (vocals, guitar); Astrud Gilberto (vocals); Antonio Carlos Jobim, Oscar Peterson, Chick Corea, Bill Evans (piano).

 

[Dennie]

Playin' Hooky CD

Bob James

1997 Warner Bros. Records

Take a breather! Try PLAYIN' HOOKY for a change!, October 13, 2002
By James R. Prater (Cleveland Tn.)

Bob James treats us to a "musical vacation" on this CD, his solo follow-up to RESTLESS. "Playing With Fire" is a new twist on a familliar melody by Chopin. "Mind Games" is radio-ready, featuring Bob at the Rhodes with Boney James (no relation--his real name is James Oppenheim). "The River Returns" features vocalisation by Bob's daughter Hilary. It bleeds into "Organza", which reminds me an awful lot of "Lotus Leaves". Bob reels us in with the funky "Hook, Line, And Sinker", featuring Oppenheim and a great horn section out front. "Glass Hearts" is a poignant tune, embodying the musical spirit of Jobim and Chopin. "Night Sky" is worthy of musing. New talent Rasheeda puts an orgasmic spin on the Gershwins' "Do It Again". "Love Is Where" features the East brothers Marcel and Nathan, and Rick Braun. "Are You Ready" is a sexually charged tune with some ingenious modulations and chords. True Bob James in every sense of the word!

Track listing

1. Playing with Fire
2. Mind Games
3. River Returns, The
4. Organza
5. Hook, Line & Sinker
6. Glass Hearts
7. Night Sky
8. Do It Again
9. Love Is Where
10. Are You Ready

 

[Dennie]

The Best of Stanley Jordan - The Blue Note Years -- CD

Stanley Jordan

1995 Capitol Records

The Best of Jordan, February 18, 2002
By Russell Diederich (Littleton, CO United States)
(VINE VOICE)

Stanley Jordan is one of the most unique guitarist out there. His two-handed tap technique is the secret behind his playing. This allows him to play rhythm and melody at the same time, something that requires two guitarists in most bands. He plays this difficult technique with a soothing ease.

Eleven jazz flavored tracks fill this album, a sampling of his other albums, and you won't skip over a single one of them. Only four of the songs are penned by Jordan himself, but that does not mean they're not his. He turns each song into something of his own when he plays them. His covers of "Stairway to Heaven" and "Eleanor Rigby" are full of new life as he gives them a new flare full of jazz riffs and his elegant sound. He also tackles John Coltrane's "Impressions" adding his own improvisational feeling to a classic. With the wonderful rendition of "The Lady In My Life", a hectic version of Rodgers and Hammerstein's "My Favorite Things" and "Georgia On My Mind" you can't go wrong with this album. Even Jordan's "Flying Home" and "Still Got the Blues" are masterpieces in their own right.

If you don't own any of Jordan's albums, this is a great place to start. It provides a sampling from "Magic Touch", "Cornucopia", "Standards", "Flying Home" as well as two others. This is a great introduction to Jordan. My only complaint is the lack of previously unreleased tracks that are becoming standard on greatest hits albums. If you love guitar and jazz, then this is a definite buy for you. You won't be disappointed.

Track listing

1. Jumpin' Jack - (live)
2. Eleanor Rigby
3. Lady in My Life, The
4. All the Children
5. Impressions
6. My Favorite Things
7. Georgia on My Mind
8. Stairway to Heaven
9. Flying Home
10. Still Got the Blues
11. Over the Rainbow - (live)

 

[topper]

editorial review ~
Bonnie Raitt's new album 'Slipstream' is daring, bluesy, and steeped with the inimitable slide guitar and soulful vocals that could only be hers. Out April, 10, 2012, Slipstream marks her first new album in seven years, and the debut for her newly minted label, Redwing Records. While most of Slipstream is self-produced and features Raitt's longtime touring band, four of the album s songs were helmed by celebrated producer Joe Henry and showcase his usual crew of extraordinary musicians. Additional guests include Bill Frisell, Al Anderson, Ireland's Paul Brady and Maia Sharp. The album's twelve tracks feature Raitt's renditions of songs by such luminaries as Bob Dylan, Joe Henry and Loudon Wainwright III. An updated, reggae-fied version of Gerry Rafferty's 'Right Down the Line' leads the charge as the album's first single. --

 

[mzpro5]

I like the bebop substation from here.

 

[Rope]

Rope

 

[heeman]

All lyrics by Joni Mitchell; music by Mitchell, except where indicated

"Happy Birthday 1975" (Rap) – 0:57
"God Must Be a Boogie Man" – 4:35
"Funeral" (Rap) – 1:07
"A Chair in the Sky" (Charles Mingus) – 6:42
"The Wolf That Lives in Lindsey" – 6:35
"I's a Muggin'" (Rap) – 0:07
"Sweet Sucker Dance" – 8:04 (Mingus)
"Coin in the Pocket" (Rap) – 0:11
"The Dry Cleaner from Des Moines" (Mingus) – 3:21
"Lucky" (Rap) – 0:04
"Goodbye Pork Pie Hat" (Mingus) – 5:37

 

[Dennie]

Today's work truck music...

Backroads -- CD

Ricky Van Shelton

1991 Columbia Records

When he's not trying to be Roy Orbison (as he did on 1990's RVS 3), it's easy to see that Van Shelton's a fine singer. And this is a fine record -- so fine it's tempting to hunt for signs of listener manipulation. But Van Shelton balances the self-pity of songs like "After the Lights Go Out" with the uptempo punch of stuff like "Call Me Up." So even though Van Shelton recycles "Rockin' Years," the duet from Dolly Parton's Eagle When She Flies, just call it good taste, sit back, and enjoy. ~ Brian Mansfield

Track Listing
1. I Am a Simple Man
2. Rockin' Years
3. Oh Heart of Mine
4. Some Things Are Better Left Alone
5. After the Lights Go Out
6. Call Me Up
7. If You're Ever in My Arms
8. Who'll Turn Out the Lights
9. Backroads
10. Keep It Between the Lines

 

[No-L]

 

[No-L]