What Are You Listening To?

[Botch]

Also, I am fortunate to have hooked up with a "Dealer/Connection" a couple of years ago and he gets most of the credit for what I'm listening too. He actually watches one of the forums that I post regularly on and try's to find music he thinks I would like. Twice a week he sends me an email with CD's/Lp's/DVD's that he's found and thinks I would like, with the price, condition, and comments on the music. Then I place an order for what I want and within and hour or so, the music is delivered! It dosen't get much easier than that.

That is COOL!! :handgestures-thumbup: :handgestures-thumbup: :handgestures-thumbup:

 

[Dennie]

For you R&B Fans....

Where I Wanna Be -- CD

Donell Jones

1999 La Face Records

Amazon.com

While the industry might be holding its collective breath waiting for the release of the next D'Angelo CD (current ETA: mid-March 2003), some of us have gotten on with our lives. Of course the reason we fiend for Mr. D is because he doesn't sound like your run-of-the-mill soul smoothie, and flashes of uniqueness are what keeps R&B fans from slitting their throats in frustration over the current ho-hum state of affairs. Enter singer-songwriter Donell Jones, whose second effort asks the question "What makes a hit?" The answer is his single "U Know What's Up": hooks upon hooks, a catchy melody, and a sexy but low-key vibe, put together in a way that's more than just retro-trendy. The rest of the Where I Wanna Be is classy and idiosyncratic without being too artsy--a perfect buy if you need a break from all the preening and smoke blowing that's all too common. --Amy Linden

1. "U Know What's Up" — 4:01
2. "Shorty (Got Her Eyes on Me)" — 3:12
3. "Where I Wanna Be" — 4:13
4. "Have You Seen Her" — 3:42
5. "This Luv" — 4:09
6. "All Her Love" — 4:35
7. "It's Alright" — 4:23
8. "Think About It (Don't Call My Crib)" — 5:37
9. "He Won't Hurt You" — 4:50
10. "Pushin'" — 4:55
11. "I Wanna Luv U" — 4:18
12. "When I Was Down" — 3:47
13. "U Know What's Up (Remix)" (featuring Lisa Left Eye Lopes) — 4:03

LINKY ----> http://www.amazon.com/Where-Wanna-B...=sr_1_1?s=music&ie=UTF8&qid=1298234196&sr=1-1

 

[Dennie]

Also, I am fortunate to have hooked up with a "Dealer/Connection" a couple of years ago and he gets most of the credit for what I'm listening too. He actually watches one of the forums that I post regularly on and try's to find music he thinks I would like. Twice a week he sends me an email with CD's/Lp's/DVD's that he's found and thinks I would like, with the price, condition, and comments on the music. Then I place an order for what I want and within and hour or so, the music is delivered! It dosen't get much easier than that.

That is COOL!! :handgestures-thumbup: :handgestures-thumbup: :handgestures-thumbup:

Ain't it though!

It all started when I answered a Craigslist ad for 7 "Blues Travler" CD's for $20. I found out he was a neighbor (about 4 blocks away) and we've both been very happy ever since!

Last year I spent over $2000 with him! :scared-eek: But my music collection has never been better. :handgestures-thumbup:

Which reminds me, today is an "Email from the used music dealer" day! :banana-rock: :banana-dance:

Dennie

 

[Dennie]

Greatest Hits CD

Earth Wind & Fire

1998 Sony Music
Amazon.com essential recording

It's the most complete single-disc collection of EWF chart rockers, and Greatest Hits' splendid remastering makes one of the major exponents of '70s funk positivity sound sparkling. From the driving "Shining Star" to the syncopated mastery of "September" and "Boogie Wonderland" to the slow-jam heaven of "After the Love Is Gone," this is a reminder of what made the group so special. --Rickey Wright

Track listing

1. Shining Star
2. That's the Way of the World
3. September
4. Can't Hide Love
5. Got to Get You into My Life
6. Sing a Song
7. Gratitude
8. Serpentine Fire
9. Fantasy
10. Kalimba Story
11. Mighty Mighty
12. Reasons
13. Saturday Nite
14. Let's Groove
15. Boogie Wonderland
16. After the Love Has Gone
17. Getaway

LINKY ---> http://www.amazon.com/Earth-Wind-Fi...=sr_1_1?s=music&ie=UTF8&qid=1298234887&sr=1-1

 

[Dennie]

Baduizm -- CD

Erykah Badu

1997 Universal Music

Amazon.com

Badu and her large turban appeared out of nowhere in early 1997, on a murmuring, romantic album that trod the median between old-school soul and contemporary electronic R&B. Badu's songs, especially the hit "On & On" and the catchy "Certainly," recall Sade in their polished, subtle sexiness. Badu almost never raises her voice--save the occasional "ooh-wee!" exultation--but she skillfully uses repetition and chanting to empower her words. Later portraying a beautiful swamp queen, she was one of the only good things about the movie Blues Brothers 2000. --Steve Knopper

1. "Rimshot (Intro)" (Badu, Madukwu Chinwah) - 1:56
2. "On & On" (Badu, Jaborn Jamal) - 3:45
3. "Appletree" (Badu, Robert Bradford) - 4:25
4. "Otherside of the Game" (Badu, Bro Questlove, Richards Nichols, James Poyser, The Roots) - 6:33
5. "Sometimes [Mix #9]" (Badu, Nichols, Poyser, The Roots) - 0:44
6. "Next Lifetime" (Badu, A. Scott) - 6:26
7. "Afro" (Badu, Jahphar Barron, Poyser) - 2:04
8. "Certainly" (Badu, Chinwah) - 4:43
9. "4 Leaf Clover" (David Lewis, Wayne Lewis) - 4:34
10. "No Love" (Badu, Bradford) - 5:08
11. "Drama" (Badu, Ty Macklin) - 6:02
12. "Sometimes..." (Badu, Nichols, Poyser, The Roots) - 4:10
13. "Certainly [Flipped It]" (Badu, Chinwah) - 5:26
14. "Rimshot (Outro)" (Badu, Chinwah) - 2:19

LINKY ----> http://www.amazon.com/Baduizm-Eryka...=sr_1_1?s=music&ie=UTF8&qid=1298239327&sr=1-1

 

[Dennie]

Oh Yeah....... :eusa-clap:

Who Is Jill Scott? Words and sounds Vol. 1 -- CD

Jill Scott

2000 Hidden Beach Records

Amazon.com's Best of 2000

Jill Scott's debut, Who Is Jill Scott?, is a luscious portrait of the artist as a grown woman. In R&B, black femininity has often been reduced to two dimensions: sex and materialism. But Scott lives in 3-D, and it shows in her voluptuous songwriting. She combines a beautiful voice with an extreme generosity of spirit, making her music a dreamy, soulful delight. Lizz Mendez Berry


1. "Jilltro" (Andre Harris, Darren Henson) – 1:03
2. "Do You Remember" (Jill Scott, Harris) – 4:43
3. "Exclusively" (Scott, Jeff Townes) – 2:05
4. "Gettin' in the Way" (Scott, Vidal Davis) – 3:56
5. "A Long Walk" (Scott, Harris) – 4:41
6. "I Think It's Better" (Scott, Harris) – 1:42
7. "He Loves Me (Lyzel in E Flat)" (Scott, Keith Pelzer) – 4:45
8. "It's Love" (Scott, Henson, Pelzer) – 5:54
9. "The Way" (Scott, Harris) – 4:16
10. "Honey Molasses" (Scott, Carvin Haggins) – 2:41
11. "Love Rain" (Scott, Davis) – 4:12
12. "The Roots (Interlude)" (Ahmir Khalib Thompson, Tariq Trotter, Scott Storch, Scott) – 0:57
13. "Slowly Surely" (Scott, Henson, Don Thompson) – 4:35
14. "One Is the Magic #" (Scott, Davis) – 3:48
15. "Watching Me" (Scott, Ted Thomas, Jr., Rich Medina, Roy Ayers, William Allen) – 3:45
* Contains a sample of Roy Ayers' "No Stranger to Love" (Roy Ayers, William Allen)
16. "Brotha" (Scott, Pelzer, Allen Toussaint) – 3:25
17. "Show Me" (Scott, Davis) – 4:06
18. "Try"/"Love Rain" (Remix featuring Mos Def) ("Try": Scott, James Poyser) – 10:07

LINKY ----> http://www.amazon.com/Jill-Scott-Wo...=sr_1_1?s=music&ie=UTF8&qid=1298242189&sr=1-1

I'm adding this review, as I think it is very accurate.....

Back Down Before You Get Smacked Down, August 12, 2000
By NappyGirl (United States) - See all my reviews
This review is from: Who Is Jill Scott? Words and Sounds, Vol. 1 (Audio CD)

This impressive debut CD guarantees that no one will be asking "Who is Jill Scott?" for much longer. A classic mix of jazz, hip-hop, spoken word, and bluesy melodies makes this CD the best in it's genre to be released this year.

Comparisions to Erykah Badu and D'Angelo, while accurate, fail to convey the power of Scott's expressive voice which can sound sensual or deeply spiritual on one track and have an innocent childish quality on another.

This Philly native's sometimes poetic lyrics are refreshingly honest and unique. Although much of the CD is concerned with love, she brings to the listener that urban female perspective that is just now receving airplay again after a long hiatus.

Artists like Scott are redefining soul music for a new generation and proving that one doesn't need a crew of backup dancers, a flashy image or vulgar lyrics to entertain.

The CD also contains a few "hidden tracks" that will delight the listener. I highly recommend this disk and can't wait to see her live.

Best tracks: "Exclusively", "A Long Walk", "Honey Molasses", and "Love Rain".

 

[heeman]

But I found "Plains" to be very enjoyable!

Dennie

I checked my collection and it turns out that I have Plains and December, will have to add Winters Solstice to my wish list!

 

[Dennie]

A couple of Jill Scott songs reminded me of our long lost Amy....

I sure hope she makes it back, the last I heard, she was "working" on a album. :handgestures-fingerscrossed:

Back To Black -- CD

Amy Winehouse

2006 Island Records

From Amazon.co.uk

Amy Winehouse's second album, Back to Black, is one of the finest soul albums, British or otherwise, to come out for years. Frank, her first album, was a sparse and stripped-down affair; Back to Black, meanwhile, is neither of these things. This time around, she's taken her inspiration from some of the classic 1960's girl groups like the Supremes and the Shangri-Las, a sound particularly suited to her textured vocal delivery, while adding a contemporary songwriting sensibility. With the help of producers Mark Ronson and Salaam Remi, "Rehab" becomes a gospel-tinged stomp, while the title track (and album highlight) is a heartbreaking musical tribute to Phil Spector, with it's echoey bass drum, rhythmic piano, chimes, saxophone and close harmonies. Best of all, though, is the fact that Back to Black bucks the current trend in R&B by being unabashedly grown-up in both style and content. Winehouse's lyrics deal with relationships from a grown-up perspective, and are honest, direct and, often, complicated: on "You Know I'm No Good", she's unapologetic about her unfaithfulness. But she can also be witty, as on "Me & Mrs Jones" when she berates a boyfriend with "You made me miss the Slick Rick gig". Back to Black is a refreshingly mature soul album, the best of its kind for years. --Ted Kord

1. "Rehab" Amy Winehouse Mark Ronson 3:35
2. "You Know I'm No Good" Amy Winehouse Mark Ronson 4:17
3. "Me & Mr Jones" Amy Winehouse Salaam Remi 2:33
4. "Just Friends" Amy Winehouse Salaam Remi 3:13
5. "Back to Black" Amy Winehouse, Mark Ronson Mark Ronson 4:01
6. "Love Is a Losing Game" Amy Winehouse Mark Ronson 2:35
7. "Tears Dry on Their Own" Amy Winehouse, Nickolas Ashford, Valerie Simpson Salaam Remi 3:06
8. "Wake Up Alone" Amy Winehouse, Paul O'Duffy Mark Ronson 3:42
9. "Some Unholy War" Amy Winehouse Salaam Remi 2:22
10. "He Can Only Hold Her" Amy Winehouse, Richard Poindexter, Robert Poindexter Salaam Remi 2:46
11. "Addicted" Amy Winehouse Mark Ronson 2:46

Bonus Pictures....

 

[Dennie]

Live/Dead -- CD

The Grateful Dead

1969 Warner Bros. Records

Essential Dead and A Great First Buy!!!, May 14, 2003
By
Louie Bourland (Garden Grove CA) - See all my reviews
(TOP 500 REVIEWER) (VINE VOICE) (REAL NAME)


This review is from: Live / Dead (Audio CD)

If there had to be only one Grateful Dead CD to run out and get, "Live/Dead" would have to be it. This album tops the list of many Deadheads as the bands best album overall. There's plenty of reason for it as well. This is the Dead in their prime and at their very best performance-wise and music-wise.
"Live/Dead" opens with the famed 23-minute version of "Dark Star". This is the ultimate Dead-jam track. The band plays off each other like seasoned pros. Jerry Garcia performs one of his greatest guitar leads here and his voice is in ship-shape throughout. This version of "Dark Star" still holds up even today.
After "Dark Star" runs its 23-minutes, it is followed directly by "Saint Stephen". The studio version of this track appears on "Aoxomoxoa" but the live version included here is much more agressive and stronger. This leads into another Dead jamfest entitled "The Eleven". The interplay between all the band members is clearly in evidence here. Bassist Phil Lesh pumps out a chordal bass structure in 11/8 while drummers Bill Kreutzmann and Mickey Hart lock everything into place. Jerry once again flys high on his lead guitar.
"The Eleven" leads directly into "Turn On Your Lovelight". Now, it's Pigpen's turn to steal the show. Over the course of 15-minutes, Pigpen leads the band and the audience in a swaggering sing-along. He really knew how to get the crowd going as it can clearly be heard here. Kreutzmann and Hart grab the spotlight as well performing their famed drum duet.
Next up is "Death Don't Have No Mercy", a somber piece in which you can almost feel the pain in Jerry's voice. Great musicianship here as well. Then there's the self-explanitory "Feedback", 8-minutes of it to be exact. This is another prime example of what the Dead shows were like at this time. Sometimes they'd jam and the improvisation would disappear into a howling gale-force of feedback for several minutes. The track included here is just one of those examples. Later on, these parts of the Dead shows would become known as "Space".
To close the album, the Dead bid us goodnight with a sweet acapella rendition of..what else but "And We Bid You Goodnight".
I don't consider myself a Deadhead but I do call myself a fan. I did not begin listening to their music extensively until the untimely death of Jerry Garcia in 1995. "Live/Dead" was the first Grateful Dead album I ever owned and I'm quite pleased that it was. This one still gets the most plays in my CD player.
If you're new to the Dead's music and have never owned anything by the band before, "Live/Dead" is an ideal place to start. You won't be disappointed.
Side one

1. "Dark Star" (Garcia, Hart, Kreutzmann, Lesh, McKernan, Weir, Robert Hunter) – 23:18

Side two

1. "St. Stephen" (Garcia, Lesh, Hunter) – 6:31
2. "The Eleven" (Lesh, Hunter) – 9:18

Side three

1. "Turn On Your Love Light" (Joseph Scott, Deadric Malone) – 15:05

Side four

1. "Death Don't Have No Mercy" (Reverend Gary Davis) – 10:28
2. "Feedback" (Constanten, Garcia, Hart, Kreutzman, Lesh, McKernan, Weir) – 7:49
3. "And We Bid You Goodnight" (Traditional, arr. by Grateful Dead) – 0:35

LINKY ---> http://www.amazon.com/Live-Dead-Gra...=sr_1_1?s=music&ie=UTF8&qid=1298252502&sr=1-1

 

[Botch]

:music-rockout: :music-rockout: :bow-blue:

 

[Dennie]

Where's The Money? -- CD

Dan Hicks & His Hot Licks

1971 MCA Records

Incredibly Tight, Energetic Acoustic Jazz Live CD, December 11, 1998
By A Customer
This review is from: Where's the Money (Audio CD)

This CD recorded live at the troubador in Los Angeles is an incredibly fun album. Recorded at the band's peak, the harmonies and precision of the playing are studio quality. Excellent sound. This is the original swing/jazz filtered through Dan Hicks weird sensibility. Deserves to be popular with all of the recent converts to swing and jive music. One of the best (or the best) live recordings that I know of, and great fun that will leave you smiling.

Track listing

1. I Feel Like Singing
2. Coast to Coast
3. News from Up the Street
4. Where's the Money?
5. Caught in the Rain
6. Shorty Falls in Love
7. By Hook or By Crook
8. Reelin' Down
9. Buzzard Was Their Friend, The
10. Traffic Jam
11. Is This My Happy Home?
12. Dig a Little Deeper

LINKY ---> http://www.amazon.com/Wheres-Money-Dan-Hicks/dp/B000002PE6/ref=sr_1_1?ie=UTF8&qid=1298253524&sr=1-1

 

[lulimet]

:music-rockout:

 

[Botch]

:banana-dance: :banana-rock: :banana-dance:

 

[Dennie]

"Ground Control to Major Tom....." :bow-blue:

best of bowie -- 2 CD Set

David Bowie

2002 EMI Records

Amazon.com

Though one of rock's most influential figures, David Bowie's accomplishments are pocked by some distinct ironies. His willful efforts at being a musical and visual chameleon spurred triumphs in genres as diverse as folk, glam, new wave, and electronica. Given the dizzying range and success of his '70s incarnations--from Ziggy to the Thin White Duke to the gaunt, goth-cypher of Low and Heroes--he seemed the artist most well-equipped to weather the changing tides of taste and trend, yet saw his career essentially shrink to cult status after scoring his biggest triumphs when he reshaped the soulless, dance-oriented club music of the early '80s into his own image. This 20-track compilation does little to address the Chinese puzzle that has been Bowie's post-'85 career, but it does deliver an artistically dizzying slate of hits as it skips from one early peak to the next, from evocative cabaret ("Space Oddity," "Changes") through muscular glam-rock ("Suffragette City," "The Jean Genie") to R&B ("Young Americans," "Fame") and post-punk flirtations ("Ashes to Ashes," "Fashion") to the dance-club hits ("Let's Dance," "China Girl," "Modern Love") and '80s one-off duets ("Under Pressure" with Queen, "Dancing in the Streets" with Mick Jagger) that essentially marked the end of his superstar reign. Whole eras and at least one classic '70s album (Low) go completely unaddressed, but all of Bowie's signature hits are here, as well as Earthling's powerful, underappreciated "I'm Afraid of Americans." --Jerry McCulley

Disc: 1

1. Space Oddity
2. The Man Who Sold The World
3. Changes
4. Life On Mars?
5. Moonage Daydream
6. Suffragette City
7. Ziggy Stardust
8. All The Young Dudes
9. The Jean Genie
10. Panic In Detroit
11. Rebel, Rebel
12. Diamond Dogs
13. Young Americans
14. Fame
15. Golden Years
16. TVC15
17. Sound and Vision
18. Heroes
19. D.J.

Disc: 2

1. Ashes To Ashes
2. Fashion
3. Scary Monsters (And Super Creeps)
4. Under Pressure
5. Cat People (Putting Out Fire)
6. Let's Dance
7. China Girl
8. Modern Love
9. Blue Jean
10. This is Not America
11. Dancing In The Streets
12. Absolute Beginners
13. Time Will Crawl
14. Under The God
15. Jump They Say
16. The Heart's Filthy Lesson
17. I'm Afraid Of Americans
18. Thursday's Child
19. Slow Burn

 

[topper]

 

[Dennie]

We Live Here -- CD

Pat Metheny Group

1995 Geffen Records

You'll Want to Live There, Too, July 28, 2009
By Karl W. Nehring (Ostrander, OH USA) - See all my reviews
(REAL NAME)


This review is from: We Live Here (Audio CD)

Both musically and sonically, this is a magnificent recording. One cut in particular stands out as an example of how good this CD is, "To the End of the World." Starting off quietly, the song builds, and builds, and builds--and then there comes a thunderous climax, a bolt from the blue, and then back into quietude, something like a little symphony for electric jazz ensemble, a masterly composition, a wonder. This is a CD you will find yourself playing over and over, and over and over again, and you'll want to live there, too.

All of the following songs were composed by Pat Metheny & Lyle Mays, except "Episode d'Azur", which was composed by Lyle Mays.

1. "Here to Stay" – 7:39
2. "And Then I Knew" – 7:53
3. "The Girls Next Door" – 5:30
4. "To the End of the World" – 12:15
5. "We Live Here" – 4:12
6. "Episode D'Azur" – 8:45
7. "Something to Remind You" – 7:04
8. "Red Sky" – 7:36
9. "Stranger in Town" – 6:11

LINKY ----> http://www.amazon.com/We-Live-Here-Pat-Metheny/dp/B000F8DB4O/ref=pd_sim_m_20

 

[Botch]

 

[Botch]

 

[Dennie]

Speaking Of Now -- CD

Pat Metheny Group

2002 Warner Bros. Records

Amazon.com

Throughout its 25-year history, the Pat Metheny Group has consistently had the power to reinvent itself, developing an ever-broader musical vision. Speaking of Now reflects substantial changes since the band was last assembled. The core remains intact, with Lyle Mays, Metheny's composing partner since the beginning, still contributing keyboards and some eloquent acoustic piano. Bassist Steve Rodby is here as well, but there are some new additions. Mexican-born drummer Antonio Sanchez is a creative fountain of rhythm, while Richard Bona, from Cameroon, has joined the band on vocals and percussion. There's an unearthly serenity in Bona's high-pitched vocals and they've clearly shaped some of the composing here. Trumpeter Cuong Vu's presence marks the first time a horn player has been a member of PMG, and his laconic, airy trumpet is a perfect complement to Metheny's guitar. The Group has always had the ability to fuse elements from different cultures into a graceful and floating whole, but this version sets new standards for sheer sonic beauty, like the welling orchestral breadth that underscores Bona's voice on "You." Highlights seem to abound, but the guitar solos on "Proof" and "A Place in the World" testify to Metheny's inspiration. --Stuart Broomer

1. "As It Is" (Metheny/Mays) – 7:40
2. "Proof" (Metheny/Mays) – 10:13
3. "Another Life" (Metheny) – 7:08
4. "The Gathering Sky" (Metheny/Mays) – 9:22
5. "You" (Metheny) – 8:24
6. "On Her Way" (Metheny/Mays) – 6:04
7. "A Place In The World" (Metheny/Mays) – 9:52
8. "Afternoon" (Metheny) – 4:43
9. "Wherever You Go" (Metheny/Mays) – 8:04

LINKY ---> http://www.amazon.com/Speaking-Now-Pat-Metheny-Group/dp/B00005V6IF/ref=pd_sim_m_7

 

[Dennie]

The Leo Kottke Anthology -- 2 CD Box Set

Leo Kottke

1997 Rhino Records

Amazon.com essential recording

Of course, newcomers to the legendary finger-style wizardry of Leo Kottke should pick up the guitarist's 1969 debut, 6 & 12 String Guitar, before they consider anything else. After listening to that masterpiece--on which Kottke plays lightning-fast instrumentals that sound like a cross between John Fahey and Bill Monroe--you can't help wanting to hear his other stuff. And Anthology is a great launching point, covering Kottke's music from 6 & 12 String through to 1983. Whereas Fahey, Kottke's finger-style forefather, ventured into weird tape loops and effects as his career progressed (and distanced his personality from his playing), Kottke did the opposite. His playing has slowed down, but Kottke now fashions himself as a singer/songwriter. And on songs like "Tiny Island" or "Julie's House"--the latter a duet with Emmylou Harris--he sounds heartfelt and human, like a more sincere version of Loudon Wainwright III. A few essential cuts are missing here, mostly from the first half of his career, and there are a few oddball tracks--Kottke warbling through "Eight Miles High" is one--but get used to it: every platter the guitarist has released seems to have a dud or three. Doesn't matter, though. To guitar fans, he'll always be godlike. --Jason Verlinde

* All songs by Leo Kottke except as noted.
* The songs are sequenced in chronological order according to album release.
* The largest representation is from Greenhouse with five tracks included. The least represented is Chewing Pine which contributes only one track.
* There are 12 vocal tracks out of 37 (depending how one counts "Side One Suite")
* "Easter", "The Medley", and "The Train and the Gate" are live recordings.

Disc one

1. "The Driving Of The Year Nail" – 1:55
2. "Ojo" – 2:12
3. "Vaseline Machine Gun" – 3:09
4. "Busted Bicycle" – 2:45
5. "Cripple Creek" (Traditional) – 1:56
6. "Eight Miles High" (Gene Clark, David Crosby, Roger McGuinn) – 3:33
7. "Bumblebee" – 3:39
8. "Bourree" (Bach) – 1:26
9. "Bean Time" – 2:32
10. "Tiny Island" (Gaylor) – 3:46
11. "In Christ There Is No East Or West" (Traditional) – 2:12
12. "Last Steam Engine Train" (John Fahey) – 3:00
13. "From The Cradle To The Grave" (Kottke, Nagle) – 3:23
14. "Louise" (Paul Siebel) – 4:02
15. "Easter" [Live] – 3:18
16. "Medley Crow River Waltz/Jesu, Joy Of Man's Desiring/Jack Fig" [Live] – 7:32
17. "Pamela Brown" (Tom T. Hall) – 4:03
18. "You Tell Me Why" (Elliott) – 3:58
19. "Born To Be With You" (Robertson) – 3:02

Disc two

1. "Mona Ray" – 3:40
2. "When Shrimps Learn To Whistle" – 3:28
3. "The Scarlatti Rip-off" – 3:32
4. "Open Country Joy (Constant Traveler)" (Leo Kottke, John McLaughlin) – 3:39
5. "Buckaroo" (Morris) – 2:03
6. "The White Ape" – 2:08
7. "Range" – 3:24
8. "Airproofing" – 2:16
9. "Up Tempo" – 1:40
10. "Endless Sleep" (Nick Lowe) – 3:37
11. "Sonora’s Death Row" (Farrell) – 4:30
12. "Embryonic Journey" (Jorma Kaukonen) – 3:15
13. "Learning The Game" (Buddy Holly) – 4:06
14. "The Train And The Gate" [Live] – 3:02
15. "Side One Suite:"
1. "Some Birds" – 0:59
2. "Sounds Like..." – 1:28
3. "Slang" – 2:42
4. "My Double" – 2:05
5. "Three Walls And Bars" – 2:13
6. "Reprise: Some Birds" – :59
16. "Sleep Walk" (Johnny Farina/Santo Farina/Ann Farina) – 2:23
17. "Rings" (Harvey, Reeves)– 2:45
18. "Julie’s House" – 3:17