Now, with the help of George Martin...... :bow-blue:
Love -- CD +
DVD-A :handgestures-thumbup:
The Beatles
2006 Capitol Records
From Amazon.co.uk
It begins with a twittering of birdsong lifted from "Across the Universe." And once the triple-tracked a capella harmonies of "Because" enter, followed by snatches from "A Hard Day's Night" and "The End," leading into a fired-up "Get Back," it becomes obvious that this is far more than just another Beatles compilation. This is Love, conceived by the Fabs' former producer George Martin and son Giles as a stageshow soundtrack to Cirque de Soleil's Las Vegas spectacular of the same name, but appears to have taken on a life of its own. Whereas the Beatles' last release, 1, delivered the (over?) familiar hits in a nice, simple package, Love is a mélange of the familiar and obscure, all literally mixed together in one 78-minute audio collage which succeeds in reminding the listener just why the Beatles truly are, as Lennon put it, "toppermost of the poppermost." There's no new Beatles material per se, but the songs are all approached differently--some are cut together in a flawlessly mixed medley (check out "Being for the Benefit of Mr. Kite!/I Want You/Helter Skelter"), some reassemble different backing tracks and vocal performances to create new spins on old classics; but all the songs are revitalized considerably. Even in its weakest moments (which probably work better in the context of the show itself), Love is still a formidable prospect, and one has to admire Martin's willingness to go out on a limb with such a project. While purists may complain that the cut 'n' paste nature of the project is simply tampering with perfection, at the very least it'll make them reach for the originals and enjoy them all over again. For newcomers and everyone else, it makes a fine listen, both in its sonic clarity (the actual tracks are the best they've sounded on CD) and audacious nature. --Thom Allott
The DVD-Audio and iTunes release have longer versions of "Revolution" and "Back in the U.S.S.R.", increasing the total running time by about two minutes. The track listing for both discs is as follows: All tracks written by John Lennon and Paul McCartney, except where noted (see also: Lennon/McCartney).
1. "Because" – 2:44
2. "Get Back" – 2:05
3. "Glass Onion" – 1:20
4. "Eleanor Rigby" (with "Julia" transition) – 3:05
5. "I Am the Walrus" – 4:28
6. "I Want to Hold Your Hand" – 1:22
7. "Drive My Car"/"The Word"/"What You're Doing" – 1:54
8. "Gnik Nus" – 0:55
9. "Something" (with "Blue Jay Way" transition) (George Harrison) – 3:29
10. "Being for the Benefit of Mr. Kite!"/"I Want You (She's So Heavy)"/"Helter Skelter" – 3:22
11. "Help!" – 2:18
12. "Blackbird"/"Yesterday" – 2:31
13. "Strawberry Fields Forever" – 4:31
14. "Within You Without You"/"Tomorrow Never Knows" (Harrison, Lennon/McCartney) – 3:07
15. "Lucy in the Sky with Diamonds" – 4:10
16. "Octopus's Garden" (Richard Starkey) – 3:18
17. "Lady Madonna" – 2:56
18. "Here Comes the Sun" (with "The Inner Light" transition) (Harrison) – 4:18
19. "Come Together"/"Dear Prudence" (with "Cry Baby Cry" transition) – 4:45
20. "Revolution" – 2:14 (CD version) / 3:23 (DVD and iTunes version)
21. "Back in the U.S.S.R." – 1:53 (CD version) / 2:34 (DVD and iTunes version)
22. "While My Guitar Gently Weeps" (Harrison) – 3:46
23. "A Day in the Life" – 5:08
24. "Hey Jude" – 3:58
25. "Sgt. Pepper's Lonely Hearts Club Band (Reprise)" – 1:22
26. "All You Need Is Love" – 3:39
Love contains elements from 130 individual commercially released and demo recordings of The Beatles,[12] and is a complex remix and polymix of multiple songs known as a mashup.[13] While a complete list has not been disclosed, highlights of how the elements were mixed have been noted by the press.
* "Because" – An interview in Entertainment Weekly revealed that the opening track includes the bird sounds used in the World Wildlife Fund version of "Across the Universe".[14] In addition, a new recording of a Wood Pigeon was implemented "to make it more British," according to George Martin.[14]
* "Get Back" – As reported, the track utilizes the opening guitar from "A Hard Day's Night", the drum and guitar solos from "The End", percussion from "Sgt. Pepper's Lonely Hearts Club Band (Reprise)", and the orchestral swell from "A Day in the Life".[15][16]
* "I Want to Hold Your Hand" – An interview with George and Giles Martin stated that elements from both the studio recording and the Hollywood Bowl live performance were mixed to create this version.[14]
* "Drive My Car"/"The Word"/"What You're Doing" – As reported, the medley features the guitar solo from "Taxman" and the horns section from "Savoy Truffle".[17]
* "Gnik Nus" – As suggested in its title, the track contains the vocal arrangement of "Sun King" played in reverse.[17]
* "Something" (with "Blue Jay Way" transition) – The track contains vocal elements from "Nowhere Man".[13]
* "Strawberry Fields Forever" – A review of the album noted that this version builds from an acoustic demo.[18] It includes the orchestral section from "Sgt. Pepper's Lonely Hearts Club Band", the piano solo from "In My Life", the brass included in "Penny Lane", the cello and harpsichord arrangement from "Piggies" and the coda of "Hello, Goodbye".[17]
* "Within You Without You"/"Tomorrow Never Knows" – This track combines the vocals from "Within You Without You" with the bass and drums from "Tomorrow Never Knows."[16]
* "Octopus's Garden" – According to USA Today and PopMatters, this track contains the string arrangement from "Good Night", sound effects used in "Yellow Submarine" and elements from "Lovely Rita" and "Helter Skelter".[16][17]
* "Lady Madonna" – The song includes the guitar riff from "Hey Bulldog", Eric Clapton's guitar solo from "While My Guitar Gently Weeps" and Billy Preston's organ solo from "I Want You (She's So Heavy)".[19]
* "Here Comes the Sun" (with "The Inner Light" transition) – As mentioned by Giles Martin, the track includes backing vocals from "Oh! Darling" and a bass line from "I Want You (She's So Heavy)".[20]
* "While My Guitar Gently Weeps" – A BBC article reported that George Martin chose to use an early version of the recording for the album and wrote a new orchestral backing for the track. This was also stated in the fifth chapter of The Beatles 'LOVE' Podcast.[1
bscene-drinkingcheers: 
