What Are You Listening To?

[Dennie]

Today's work truck music.....

Streetlights -- CD

Bonnie Raitt

1974/1990 ? Warner Bros. Records

Haunting, Moving, Her Best, January 18, 2001
By A Customer
Amazon Verified Purchase(What's this?)
This review is from: Streetlights (Audio CD)

I'm SHOCKED that anyone has rated this album anything lower than five stars. This album is haunting, moving, unexpected . . . and well worth having in your collection. It's a record you can listen to again and again, from start to finish, and with every rotation, you'll notice or feel something you missed the time before.

"That Song About the Midway" (Joni Mitchell) – 4:44
"Rainy Day Man" (James Taylor, Zachary Weisner) – 3:41
"Angel from Montgomery" (John Prine) – 3:59
"I Got Plenty" (Joey Levine, Jim Carroll) – 3:09
"Streetlights" (Bill Payne) – 5:05
"What Is Success" (Allen Toussaint) – 3:32
"Ain't Nobody Home" (Jerry Ragovoy) – 3:04
"Everything That Touches You" (Michael Kamen) – 3:28
"Got You on My Mind" (David Lasley, Allee Willis) – 3:50
"You Got to Be Ready for Love (If You Wanna Be Mine)" (Lou Courtney) – 3:08

 

[Botch]

Tears for Fears, Music from the Big Chair, 5.1 remix on Bluray Audio.

I was very much looking forward to hearing this, but it's quite a disappointment.
I wasn't a big TfF fan when they were big (I think their overly-cutesy videos overpowered what else they had to offer) but just a couple years ago I got their CD, and was impressed with the music; it was over-processed pop but it was Good!
Unfortunately, the mix here concentrates on drums and synths; the vocals are almost completely buried. Orbizal or whatever his name was, had a great pop voice, and its just smothered on this recording (as is the prominent sax on "The Working Hour"). "I Believe" had a somewhat decent mix, and it sounded good.
The Bluray is now playing the original stereo mix, and it confirms my point that the vocals are buried in the 5.1 mix. Damn; Steven Wilson remixed this one, and I'm afraid he blew it this time. :|

 

[Dennie]

Today's work truck music....

Feels Like Home -- CD

Norah Jones

2004 Blue Note Records

Amazon.com

Norah Jones blew everybody away with her jazzy, country-tinged, Grammy-winning debut CD, Come Away with Me. On this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy coproduction, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single "Sunrise" to Tom Waits's "The Long Way Home" and the bouncy duet with Parton, "Creepin' In." Jones's soul-baring piano/vocal rendition of Duke Ellington's "Melancholia," retitled "Don't Miss You at All," proves she's a true Blue Note artist with unlimited potential. --Eugene Holley Jr.

1. "Sunrise" Norah Jones, Lee Alexander 3:20
2. "What Am I to You?" Norah Jones 3:29
3. "Those Sweet Words" Lee Alexander, Richard Julian 3:22
4. "Carnival Town" Norah Jones, Lee Alexander 3:12
5. "In the Morning" Adam Levy 4:07
6. "Be Here to Love Me" Townes Van Zandt 3:28
7. "Creepin' In" (featuring Dolly Parton) Lee Alexander 3:03
8. "Toes" Norah Jones, Lee Alexander 3:46
9. "Humble Me" Kevin Breit 4:36
10. "Above Ground" Andrew Borger, Daru Oda 3:43
11. "The Long Way Home" Kathleen Brennan, Tom Waits 3:13
12. "The Prettiest Thing" Norah Jones, Lee Alexander, Richard Julian 3:51
13. "Don't Miss You at All" Norah Jones, Duke Ellington 3:06

 

[Babs]

 

[Babs]

Another Joshua K. listen...

:music-listening:

 

[Dennie]

Today's work truck music....

Raising Sand -- CD

Alison Krauss & Robert Plant

2007 Rounder Records

Amazon.com

Perhaps only the fantasy duo of King Kong and Bambi could be a more bizarre pairing than Robert Plant and Alison Krauss. Yet on Raising Sand, their haunting and brilliant collaboration, the Led Zeppelin screamer and Nashville's most hypnotic song whisperer seem made for each other. This, however, is not the howling Plant of "Whole Lotta Love," but a far more precise and softer singer than even the one who emerged with Dreamland (2002). No matter that Plant seems so subdued as to be on downers, for that's one of the keys to this most improbable meeting of musical galaxies--almost all of it seems slowed down, out of time, otherworldly, and at times downright David Lynch-ian, the product of an altered consciousness. Yet probably the main reason it all works so well is the choice of producer T Bone Burnette, the third star of the album, who culled mostly lesser-known material from some of the great writers of blues, country, folk, gospel, and R&B, including Tom Waits, Townes Van Zandt, Milt Campbell, the Everly Brothers, Sam Phillips, and A.D. and Rosa Lee Watson. At times, Burnette's spare and deliberate soundscape--incisively crafted by guitarists Marc Ribot and Norman Blake, bassist Dennis Crouch, drummer Jay Bellerose, and multi-instrumentalist Mike Seeger, among others--is nearly as dreamy and subterranean as Daniel Lanois's work with Emmylou Harris (Wrecking Ball). Occasionally, Burnette opts for a fairly straightforward production while still reworking the original song (Plant's own "Please Read the Letter," Mel Tillis's "Stick with Me, Baby"). But much of the new flesh on these old bones is oddly unsettling, if not nightmarish. On the opening track of "Rich Woman," the soft-as-clouds vocals strike an optimistic mood, while the instrumental backing--loose snare, ominous bass line, and insinuating electric guitar lines--create a spooky, sinister undertow. Plant and Krauss trade out the solo and harmony vocals, and while they both venture into new waters here (Krauss as a mainstream blues mama, Plant as a gospel singer and honkytonker), she steals the show in Sam Phillips' new "Sister Rosetta Goes Before Us," where a dramatic violin and tremulous banjo strike a foreboding gypsy tone. When Krauss begins this strange, seductive song in a voice so ethereal that angels will take note, you may stop breathing. That, among other reasons, makes Raising Sand an album to die for. --Alanna Nash

1. "Rich Woman" Dorothy LaBostrie, McKinley Millet 4:04
2. "Killing the Blues" Roly Jon Salley 4:16
3. "Sister Rosetta Goes Before Us" Sam Phillips 3:26
4. "Polly Come Home" Gene Clark 5:36
5. "Gone Gone Gone (Done Moved On)" Don Everly, Phil Everly 3:33
6. "Through the Morning, Through the Night" Gene Clark 4:01
7. "Please Read the Letter" Charlie Jones, Michael Lee, Jimmy Page, Robert Plant 5:53
8. "Trampled Rose" Kathleen Brennan, Tom Waits 5:34
9. "Fortune Teller" Naomi Neville 4:30
10. "Stick With Me Baby" Mel Tillis 2:50
11. "Nothin'" Townes Van Zandt 5:33
12. "Let Your Loss Be Your Lesson" Milton Campbell 4:02
13. "Your Long Journey" Doc Watson, Rosa Lee Watson 3:55

 

[topper]

Some really good blues recorded in Chicago in 2010

 

[Dennie]

Today's work truck music....

New Favorite CD

Alison Krauss + Union Station

2001 Rounder Records

No expectations, June 16, 2003
By A Customer
This review is from: New Favorite (Audio CD)

It seems that most of the negative or lukewarm reviews here are written by those who approached this record with expectations of what bluegrass should be, or what Krauss & Union Station should be, or what country should be.

I came in with none of those. I know almost nothing about bluegrass or AKUS...I'm not even sure what a dobro is.

I heard "Lucky One" on an "adult alternative" radio station, of all places, and had heard about Krauss' talent, so I took a chance on this CD. I'm not a country fan nor a bluegrass fan by any means, I just thought it was a pretty song.

It turns out that the whole CD is very strong, filled with beautifully written and performed songs. There's definitely a pop feel to a few of the tunes, such as Fogelberg's "Stars", but every one is played and sung with feeling and musicianship. The production values are excellent too -- no studio gimmicks, just pure sounds crystal clear.

It's hard to imagine anyone who appreciates music being let down by this set.

"Let Me Touch You for Awhile" (Robert Lee Castleman) – 3:21
"The Boy Who Wouldn't Hoe Corn" (Traditional) – 4:40
"The Lucky One" (Castleman) – 3:10
"Choctaw Hayride" (Jerry Douglas) – 3:10
"Crazy Faith" (Mark Simos) – 3:47
"Momma Cried" (Bob Lucas) – 3:20
"I'm Gone" (Eric Kaz, Wendy Waldman) – 3:28
"Daylight" (Lucas) – 4:03
"Bright Sunny South" (Traditional) – 3:00
"Stars" (Dan Fogelberg) – 2:54
"It All Comes Down to You" (Ron Block) – 2:44
"Take Me for Longing" (Simos) – 2:51
"New Favorite" (David Rawlings, Gillian Welch) – 4:34

 

[Kazaam]

Tears for Fears, Music from the Big Chair, 5.1 remix on Bluray Audio.

I was very much looking forward to hearing this, but it's quite a disappointment.
I wasn't a big TfF fan when they were big (I think their overly-cutesy videos overpowered what else they had to offer) but just a couple years ago I got their CD, and was impressed with the music; it was over-processed pop but it was Good!
Unfortunately, the mix here concentrates on drums and synths; the vocals are almost completely buried. Orbizal or whatever his name was, had a great pop voice, and its just smothered on this recording (as is the prominent sax on "The Working Hour"). "I Believe" had a somewhat decent mix, and it sounded good.
The Bluray is now playing the original stereo mix, and it confirms my point that the vocals are buried in the 5.1 mix. Damn; Steven Wilson remixed this one, and I'm afraid he blew it this time. :|

Thanks for the review Botch. Sounds a little disappointing, but I think I'll still add it to my collection at some point here.

On the topic of TFF... I really like their cover of "ashes to ashes" that's on their b-sides/rarities album... Called saturnine martial something or other, I forget.

 

[Kazaam]

Hanson, S Club 7, and Nickelback.

 

[Dennie]

Happy Sunday everyone... :banana-dance:

Ballad Essentials -- CD

Gene Harris

2003 Concord Records

This compilation draws 11 tracks from nine Gene Harris albums recorded for Concord Records between 1989 and 1995, and what's striking is how consistent those tracks are. Working at slow tempos, Harris plus his accompanists -- ranging from piano-guitar-bass-drums quartets to a duet with tenor saxophonist Scott Hamilton ("At Last"); a trio with organist Jack McDuff and bass player Luther Hughes ("You Don't Know What Love Is"); and, finally, a solo piano piece ("Angel Eyes") -- maintain a bluesy, soulful approach that values expressive, yet precise playing. Harris usually takes the lead, though he makes a wonderful backup musician to Hamilton on the first half of "At Last" before executing a flourish and taking over for some attractive soloing even there. Like many other jazz musicians, Harris really came into his own in his maturity at Concord, and this is a good selection that demonstrates the strength of his overall catalog with the label. ~ William Ruhlmann

Track Listing
1. Sweet and Lovely
2. Nobody Knows You When You're Down and Out
3. Until the Real Thing Comes Along
4. This Masquerade
5. At Last
6. Everything Happens to Me
7. Black and Blue
8. When You Wish Upon a Star
9. You Don't Know What Love Is
10. That's All
11. Angel Eyes

This is part of Concord Jazz's Ballad Essentials series.Personnel: Gene Harris (piano); Ron Eschete (guitar); Scott Hamilton (tenor saxophone); Jeff Hamilton, Jack McDuff (Hammond B-3 organ) , Paul Humphrey & the Cool Aid Chemists , Harold Jones (drums).Liner Note Author: Scott Yanow.Recording information: Capitol studios, Los Angeles, CA (03/??/1989-03/11/1995); Coast Recorders, San Francisco, CA (03/??/1989-03/11/1995); Manchester's Craftsmen's Guild, Pittsburgh, PA (03/??/1989-03/11/1995); Master Track, Hayward, CA (03/??/1989-03/11/1995); Maybeck Recital Hall, Berkley, CA (03/??/1989-03/11/1995); Spirit Wind Studios, Hayward, CA (03/??/1989-03/11/1995); The Plant Recording Studios, Sausalito, CA (03/??/1989-03/11/1995).

 

[Dennie]

The Jazz Giants -- Remastered CD

Lester Young

1956/1991 Verve Records

Most critics agree that Lester Young's 1950's recordings were flawed. His seminal work is from the mid to late '40s. However, THE JAZZ GIANTS, from 1956, proves otherwise. Young's performance on this set is quite inspired, although some critics contend that this was due to the superb interplay between the musicians (trumpeter Roy Eldridge, trombonist Vic Dickerson, and others).On tunes such as "I Didn't Know What Time It Was," "Gigantic Blues," and others, Young plays with his usual light and feathery touch. Roy Eldridge, who employs a brassy, more roughhewn approach, is the perfect match to Young's smooth, sparse playing. Indeed, this variety adds spice and momentum to each tune. THE JAZZ GIANTS is definitely Lester Young's best work from his later period.

Track Listing
1. I Guess I'll Have to Change My Plan
2. I Didn't Know What Time It Was
3. Gigantic Blues
4. This Year's Kisses
5. You Can Depend on Me

Personnel: Lester Young (tenor saxophone); Roy Eldridge (trumpet); Vic Dickenson (trombone); Teddy Wilson (piano); Freddie Green (guitar); Gene Ramey (bass); Jo Jones (drums).Recorded at Fine Sound, New York, New York on January 12, 1956.Digitally remastered by Dennis Drake.

 

[Dennie]

Over The Rainbow -- CD

"Little" Jimmy Scott

2001 Milestone Records

There have been few 75-year-old vocalists working in any popular music style that sounded as good as Scott did on this session from late 2000, aided by contributions from top players like Joe Beck (guitar) and Grady Tate (drums). Scott loves those sentimental songs, and this set is full of standards in that vein, from the title track and "Pennies From Heaven" to "P.S. I Love You" (the Jenkins-Mercer composition, not the Beatles song) and "I Got It Bad (And That Ain't Good)." For the most part the arrangements are appropriately small-scale, letting Scott's voice hog the foreground and squeeze plenty of nuances from his sad vibrato. "Over the Rainbow" itself suffers from an excessive wash of vibes, but fortunately that's not typical of most of the set, which just does toe the right side of gushing emotion. It is a refreshing change of pace, though, when a trace of somber darkness is introduced on the foreboding, doomy arrangement of "Strange Fruit," which benefits from a guest shot by David "Fathead" Newman on tenor sax. ~ Richie Unterberger

Track Listing
1. Pennies from Heaven
2. Over the Rainbow
3. All or Nothing at All
4. Strange Fruit
5. Don't Take Your Love from Me
6. Just Friends
7. P.S. I Love You
8. Everybody S Somebody S Fool
9. If You Only Knew
10. I Got It Bad (And That Ain't Good)
11. I LL Close My Eyes
12. When Did You Leave Heaven?

Personnel: Little Jimmy Scott (vocals); Joe Beck (guitar, acoustic guitar, electric guitar); Gr‚goire Maret (harmonica); Justin Robinson (alto saxophone); David "Fathead" Newman , Bob Kindred (tenor saxophone); Larry Willis, Michael Kanan (piano); Joe Locke (vibraphone); George Mraz (acoustic bass); Clarence Penn, Grady Tate (drums).Audio Mixer: Michael Semanick.Liner Note Author: David Ritz.Recording information: The Studio, New York, NY (10/2000-11/2000).Photographer: John Abbott .Arrangers: Little Jimmy Scott; Joe Beck ; Larry Willis; Michael Kanan; Robert Sadin.

 

[Dennie]

West of 5th -- SACD

Hank Jones - Christian McBride - Jimmy Cobb

2006 Chesky Records

From the vigor and agility with which Hank Jones plays on WEST OF 5TH, one would never guess that the pianist was 88 years old at the time of this 2006 recording. Jones is joined by a fellow legendary jazz veteran in drummer Jimmy Cobb (best known for his work on Miles Davis's KIND OF BLUE), and young-gun bassist Christian McBride. The music isn't futuristic or rule-bending, but therein lies its charm. Jones, Cobb, and McBride work through a set of standards, including "On Green Dolphin Street" and "Stella by Starlight," masterfully turning material that would otherwise seem clich‚d into fresh, vital, and totally engaging jazz for the ages.

Track Listings
1. On Green Dolphin Street
2. Mr. Walker
3. Speak Low
4. A Child Is Born
5. If I Were A Bell
6. Billie's Bounce
7. Lotus Blossom
8. Confirmation
9. We'll Be Together Again
10. Stella by Starlight
11. Eleanor

Personnel: Hank Jones (piano); Christian McBride (double bass); Jimmy Cobb (drums).Liner Note Author: Ira Gitler.Recording information: St. Peter's Episcopal Church, New York, NY (01/29/2006)

 

[Dennie]

Live At The Village Vanguard -- CD

The Bill Charlap Trio

2007 Blue Note Records

Releasing a LIVE AT THE VILLAGE VANGUARD album might seem like an attempt at 'greatness by association,' a wish to be filed alongside same-titled albums by the likes of John Coltrane and Bill Evans, but the Bill Charlap Trio doesn't need to rely on marketing gimmicks. The music on this release stands on its own; in fact, it even lives up to the legacy associated with the legendary New York club.Flanked by drummer Kenny Washington and bassist Peter Washington, Charlap proves he is one of the most tasteful and accomplished pianist on the contemporary jazz scene. The music rarely ranges left of center-- the sensibility is staunchly traditional, attuned to white-hot post-bop and ballads--but within that framework Charlap and company never miss a step. His dazzling takes on standards like "Autumn in New York" and "The Lady is a Tramp," and lesser known but no less excellent tunes like Gerry Mulligan's "Rocker" are proof positive.

Track Listing
1. Rocker
2. Autumn in New York
3. Godchild
4. Lady Is a Tramp, The
5. It's Only a Paper Moon
6. My Shining Hour
7. All Across the City
8. While We're Young
9. Last Night When We Were Young

Personnel: Bill Charlap (piano); Peter Washington (Bass), Kenny Washington (drums).

 

[Dennie]

Happy Monday everyone... :handgestures-thumbup:

In Between Dreams -- CD

Jack Johnson

2005 Brushfire Records

Amazon.com

For a man who gets his biggest kicks surfing the waves and strumming his guitar on a lonely beach in native Hawaii, singer-songwriter Jack Johnson has carved out quite a remarkable career on the mainland. His 2003 album, On and On, debuted at No. 3 on The Billboard 200 and subsequently went platinum on the back of hit single "The Horizon Has Been Defeated." The follow-up, meanwhile, seems destined to shine even brighter. The drifting chords and soft voice are still in place, only now Johnson's instinct for melody has sharpened alongside his ability to self-edit. These small concessions make third album, In Between Dreams, his most conspicuous, particularly on tracks like the three-minute relationship drama, "Sitting, Waiting, Wishing," and "Breakdown," a song he originally recorded for Handsome Boy Modeling School's White People album remade here to reveal its full stripped-down loveliness. Imagine all the coconuts it will buy. -- Aidin Vaziri

1. "Better Together" 3:27
2. "Never Know" 3:32
3. "Banana Pancakes" 3:12
4. "Good People" 3:28
5. "No Other Way" 3:09
6. "Sitting, Waiting, Wishing" 3:03
7. "Staple It Together" Jack Johnson, Merlo Podlewski 3:16
8. "Situations" 1:17
9. "Crying Shame" Jack Johnson, Adam Topol 3:06
10. "If I Could" 2:25
11. "Breakdown" Jack Johnson, Dan Nakamura & Paul Huston 3:32
12. "Belle" 1:43
13. "Do You Remember" 2:24
14. "Constellations" 3:21

 

[Dennie]

A Lifetime of Song 1951-1982 -- CD

Marty Robbins

1983 Columbia Records

a wonderful collection, March 20, 2004
By Jerry McDaniel - See all my reviews
This review is from: Lifetime of Songs (Audio CD)

Marty Robbins had so many hits through the years that even this impressive showing isn't complete. i don't know if this is a record-setting feat or not, but Marty had 37 consecutive Top-40 hits from 1953-1965...the single that broke the string was "Old Red" in 1965, it charted one week at #50. i love nearly all the songs on this album, the only one i didn't like as much is "Tomorrow You'll Be Gone". all of his big hits are on here and the only ones that were popular with his audience that they left off were: "Begging To You"; "Mr. Shorty"; "Cigarettes and Coffee Blues"; and "The Cowboy in the Continental Suit". incidentally, "Begging To You" was a 3 week #1 country hit and a #74 pop hit too so why it was left off i have no clue. Marty was one of country music's first pop cross-over acts. from 1956-1964 he constantly had singles on the country and pop singles charts. 11 of his pop cross-overs hit the Top-40, which in those days was unheard of for a country act to chart so high. All in all, this is a great look at Marty Robbins. one of my favorites is the last song, "Some Memories Just Won't Die". i love that arrangement and his performance shows that he still had it...even months before his death in December 1982 {that song was his last Top-10 in his lifetime; his final Top-10 came after his death, the early 1983 "Honkytonk Man"; not to be confused with the same titled hit by Johnny Horton and the remake later by Dwight Yoakam}.

Track listing

1. Tomorrow You'll Be Gone
2. I'll Go on Alone
3. That's All Right
4. Knee Deep in the Blues
5. Singing the Blues
6. White Sport Coat, A (And a Pink Carnation)
7. Story of My Life
8. Don't Worry
9. Ruby Ann
10. Devil Woman
11. Paso, El
12. Big Iron
13. Hanging Tree
14. Ribbon of Darkness
15. Paso City, El
16. I Walk Alone
17. My Woman, My Woman, My Wife
18. Among My Souvenirs
19. Return to Me
20. Some Memories Just Won't Die

 

[PaulyT]

 

[Dennie]

Anniversary: Twenty Years of Hits -- CD

Tammy Wynette - The First Lady of Country Music

1987 Epic Records

Coming two decades after the one-two punch of "Apartment #9" and "Your Good Girl's Gonna Go Bad," 1987's ANNIVERSARY is a fine summary of the highest points of Tammy Wynette's early career. For the casual fan that just wants a quality collection of the hits, ANNIVERSARY is hard to beat. All of the hits are present and accounted for, from epoch-defining masterpieces like "Stand By Your Man" and "D-I-V-O-R-C-E" to less familiar but no less worthy gems like "Don't Wanna Play House." The 20-track collection even includes three of Wynette's duets with husband George Jones, "We're Gonna Hold On," "Golden Ring" and "Two-Story House." Completists might want to spring for the more exhaustive three-disc box set TEARS OF FIRE or the double-disc ESSENTIAL TAMMY WYNETTE, but this is the best single-disc collection available.

Track Listing
1. Apartment No. 9
2. Your Good Girl's Gonna Go Bad
3. I Don't Wanna Play House
4. D-I-V-O-R-C-E
5. Stand by Your Man
6. Singing My Song
7. Run, Woman, Run
8. We Sure Can Love Each Other
9. Good Lovin' (Makes It Right)
10. Bedtime Story
11. 'Til I Get It Right
12. Kids Say the Darndest Things
13. Another Lonely Song
14. We're Gonna Hold On
15. Woman to Woman
16. 'Til I Can Make It on My Own
17. Golden Ring
18. You and Me
19. One of a Kind
20. Two Story House

 

[Dennie]

The Language Of Life -- CD

Everything But The Girl

1990 Atlantic Records

Amazon.com

By the time of The Language of Life, Everything but the Girl had reached a point in their career where they could get accomplished jazz musicians Joe Sample, Michael Brecker, and Stan Getz to play on their album and not have it perceived as an affectation: the duo had already made five albums that showcased Ben Watt's ability to write a classic melody and Tracey Thorn's silky vocals. In working with producer Tommy Lipuma, they made an album of superficially perfect love songs--beautiful tunes all, but overproduced to the point where the feelings behind them are only rarely glimpsed. There are some great songs, though--"The Road," "Driving," "Me and Bobby D," "Imagining America" are some of the best in EBTG's distinguished catalog--and they manage to make Language a worthy album despite the shortcomings. Check out EBTG's Acoustic for more nuanced versions of "Driving" and "Me and Bobby D." --Randy Silver

All tracks composed by Ben Watt; except where indicated

"Driving"
"Get Back Together"
"Meet Me in the Morning" (Watt, Tracey Thorn)
"Me and Bobby D" (Watt, Tracey Thorn)
"The Language of Life" (Watt, Tracey Thorn)
"Take Me" (Cecil Womack, Linda Womack)
"Imagining America"
"Letting Love Go"
"My Baby Don't Love Me"
"The Road"