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Deleted member 133
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For reasons unknown, I've long been a fan of what I'll call "classic" electronic music: stuff made at, and soon after, the dawn of the synthesizer era. Keating, Carlos, and Jarre - to name a few of the ones I consider the greats in the field.
I recently "discovered" a contemporary of theirs, Isao Tomita, and have spent a good part of today listening to a variety of his work.
My feelings are mixed. I am far from impressed with most of his stuff (for a variety of reasons). However a few pieces proved better than the others, and one was outstanding. But here's the thing: had it not been for their very good, and in one case phenomenal, quad surround sound, my overall rating of his oeuvre would have been: m'eh!
That one phenomenal case?
I recently "discovered" a contemporary of theirs, Isao Tomita, and have spent a good part of today listening to a variety of his work.
My feelings are mixed. I am far from impressed with most of his stuff (for a variety of reasons). However a few pieces proved better than the others, and one was outstanding. But here's the thing: had it not been for their very good, and in one case phenomenal, quad surround sound, my overall rating of his oeuvre would have been: m'eh!
That one phenomenal case?
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